Fresh Sound Quotes

'Far Beyond Driven' was a record that was probably ahead of its time, and to this day, it still sounds as fresh as just about any other band that's out there. It was a record that was pushed to another level.

One of the most important things to me as a songwriter is to make music that's young and fresh but also soulful and real. I want people to feel like they know me once they listen to my songs.

I don't live in the past or focus on making new songs sound like my old stuff; it would be stupid, and I don't think anyone would like it.

'I Get Around' came on one day. I'd never heard the Beach Boys before. The sound was so fresh to me. That was the first time when I truly was gripped by the power of music. It opened my eyes to the heights that music can achieve.

I was on tour with Little Dragon with the Gorillaz. She's got an amazing voice and is a lovely girl. Her vibe is fresh pressed and harmless fun with a tinge of the dark side if you look in the right bits of the tunes.

The patterns of big-band music are smooth and classical. It's got to be fresh. The brass section should crackle, like the sound of eggs being dropped into hot grease.

That era in the late '80s through the '90s was really when the music was so new, fresh, energetic, but still creative. It hadn't quite gotten corporatized yet.

What's good is that my music is different from everyone else's. It's got the soul element, like Duffy, but it's not very retro. It's a contemporary, pop, fresh sound. That's what makes it different.

Even with so many artists using auto-tune, there's still a growing group of artists rising up and going in the opposite direction, making music that's real and fresh. And those cats are getting back to the basics without auto-tune. And a lot of those cats are packing out venues without getting played on the radio!

Whenever I sing, I try to make it different, the sound that you've never heard before, and put something new, which people love.

To me, recording with live instruments and tape takes things back to an older sound that I like but that's still fresh.

James Brown's music still sounds as fresh and as good and as new as it did when he first created it.

'Sorry' is unlike anything Bieber has made in the past. It has been classified as 'tropical house' and 'dancehall,' but everyone seems to agree on one thing: It's a banger.

When I read about Gram Parsons' dream of this Cosmic American Music when I was in my late teens, that stuck with me: that idea, that ambition, to draw off the roots of music but take it somewhere fresh.

I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.

I'm trying to bring a little bit of every type of sauce into one type of sound. Something that's really fresh.

Now that the 90's are over and more time has gone by, the 80's sound fresh again.

I always try to give my own albums space in between so I have time to create a new sound and give time for people to miss me. You have to come out fresh and reinvent yourself.

When a good idea sparks, it's usually because of some subversive angle that means the song we're writing will be fresh.

Everyone was surprised then that our music got such a foothold because they said 'You're so fresh-faced and wholesome.'

Some people will never let the grime thing go, but my fifth album is not meant to sound like my first album.

When you listen to my music, you're going to know that you're getting the real me, my real thoughts and feelings... I want people to be like, 'Oh, he's fresh out with his music for it to be this good.'

I feel like Rae Sremmurd is just a whole new sound culturally. People don't understand, but they learn to understand. The melody choice is different and everything.

The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.

The appreciation that we received after the release of the audio of 'Every Night and Day' is all because of Iulia Vantur. According to me as a composer of this song, she made this song sound very fresh.