The only really committed artist is he who, without refusing to take part in the combat, at least refuses to join the regular armies and remains a freelance.
I'm still awaiting the idea of drawing comics for a living being a reality. I feel like I've been dodging work for 20 years, and at some point, I'll have to get a real job.
I wanted to work strictly as a freelance actor, and that's the way it turned out.
In the beginning, I was a stay-at-home dad. So I could actually focus on being a rapper. I could write. I could come up with ideas.
As an undergraduate I held many small jobs as an illustrator.
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
To make money, I did portraits. The truth is so bizarre! I'm kind of embarrassed. I was like a 19th-century pirate painter. I'd say, 'Your mom would love a painting of you!' A salesman! I'd hawk paintings.
I am a freelance artiste.
As a jobbing actor or musician, you have to take any work you can get.
I still have a steady stream of book cover work. I'm grateful for it. Viva le book!
When I left art school and went in search of work, visiting publishers and showing them my drawings and illustrations, I was met with a polite and sometimes enthusiastic response but no commissions.
For most of my career I illustrated books for other people.
I got a little studio in Chicago and practiced. I realized I had to earn some money. So I went to work for an advertising agency where my job was mostly drawing insects for a company that sold an insecticide spray.
Lissa Treiman is an artist who submitted a guest strip to me back in 2008 and whose work I've followed since. She works in animation. When I first mentioned on Twitter that I was interested in writing a series but not drawing it, she got in touch.
And I had worked at the comic-book store almost by accident, because I was deciding to make a living as an artist, be it as an art tutor or illustrator, and that's how I wanted to make my living.
