In the beginning, I got different kind of roles, and then I realised it's great to be that way. And that thought is always there before signing a film.
Released in 1967, 'Farz' was the remake of a Telegu film that was turned down by most actors of the time - Manoj Kumar, Shashi Kapoor, Dharmendra... I was the needy and greedy one then and signed the film gladly.
I was looking to be a part of commercial cinema and that was when I signed 'Jodi.'
All I know is that Salman has signed 80 percent of my films without reading the script, and almost all our films have done well.
When you are signing a film, you should not miss the beginning process which involves workshops and discussions; otherwise, it is difficult to understand the character.
I still remember the moment I signed 'Viswaroopam.' And I will never forget it.
I always give weightage to performance more than the length of my character. That has always been my criteria for signing a film.
It is not that I don't want to sign films, but I don't want to accept any film coming my way.
When I heard the script of 'Loukyam,' I was laughing, as it was such a laugh riot. So all this made me sign the film.
It was an impulsive at her zenith Zeenat decision to act in 'Boom,' I signed the film after 70 per cent of the movie was done.
