'The Notebook' made me cry! It got me.
I shot film with the Coen brothers on 'Hail, Caesar!' That's fine. I'm sentimental about film; I've shot film for forty years or something.
With 'Ed Wood,' I sobbed. With 'Frankenweenie,' I was crying. With 'Edward Scissorhands,' I always cry. There's always an incredible amount of purity, even if they look a certain way.
At Christmas, 'It's a Wonderful Life' makes me cry in exactly the same places every time, even though I know it's coming.
Little Odessa. Of all my movies, it's the one that I still really love when I watch it and I'm pretty happy with what I didn in that.
I'll shout out to James L. Brooks. 'Terms of Endearment' always makes me cry. Also, 'Stepmom' always makes me cry. I guess, you know, mothers dying. It's a safe bet that I'm going to cry.
Some people shy around 'The Cobbler.' 'The Cobbler' will always be a very special film to me. I've had a lot of wonderful response from 'The Cobbler.'
I think 'Rockstar' is more dear to me than any of my other films.
I think that in some cases, I've made films that have a sentimental quality, at least as part of the film.
The first movie that made me cry was 'Dead Poets Society.' That one gets me. 'O Captain! My Captain!' That moment kills me.
