Film Producers Quotes

I grew up on Shane Black movies, and I grew up on Joel Silver movies.

For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.

You do a movie [where] you like the script [and] it has something to say that you care about. And there are certain people in this industry that you kind of stick with. Guys like [“The Congressman” producer] Fred Roos. They call you, and if you’re not working, that’s what you do.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

It's normal; Arab women have always been very active at the forefront of culture - as film producers since the 1920s; as singers, dancers, choreographers, writers for much longer than that.

I have the greatest appreciation for [producers] Matt Alvarez and Ice Cube. They put me in Friday after Next, and now this, which I hope is just the start of a long, wonderful relationship. I love the urban comedies, because they keep you famous, keep you having fun, and keep you in love with the business. Those are my roots. I'll always love doing those.

When 'Pizza' released, I was a nobody. Initially, we managed to get only 100 screens. But, after its success, the producers of 'Naduvula Konjam Pakkatha Kaanom' got 150 screens and also released the film in the U.S. Now, distributors are keen to invest in my films because they feel I have face value.

Producers do not seem to understand that they are cutting into each other's business. They complete their films at the same time and do not space their releases.

Only three or four thrillers are made in Hindi cinema in a year. There is a fascination for crime genre but producers think thrillers don't have that much of a market or will not get picked up for satellite rights.

I don't think the subject of a documentary film should be producers on it.

The highest grossing films have great, moral messages - not dirty, base themes, so we're trying to get producers to make more of the uplifting movies.

It may be that the most avid readers of new fiction in America today are film producers, an indication of the trouble were in.

I am not saying 'Dum' flopped only because of piracy. But the money which went to the offenders could have gone to the producers of the film.

Superman was never previewed because the producers didn't trust Warners with the film.

Even in our business, as is the world, we are in the age of specialisation. You see a lot of names of producers on a movie. If you have the idea, if you oversee the development, if you oversee the production, if you help package the movie, you sell the movie - you can be a producer. There's not a lot of us who do the whole gamut.

I'm a big fan of the 70's action films. Where there is a lot of character and a lot of great action, but the action is kind of cemented with a great back-story with characters. And I thought, this kind of reminded me of the movies that, early on when I was telling Dwayne (Johnson) and the guys, the producer... my whole thing is if you look at a movie like The Driver by Walter Hill, it's a film where there's no names. They are just named, "the driver", "the cop".

Tatiana Alvarez, who also became a queen of the wheels of steel in L.A., has now sold her incredible cross-dressing, reverse 'Tootsie' story to Warner Bros. in Hollywood, and hotshot producers Mike Medavoy, Brian Medavoy and Erwin More have reunited to turn it into a movie.

If you have sold the film rights to somebody, take your money and leave. If the producers need you, they will call you. But you have to be careful about who you are selling your book to, and ensure that it is not tampered with.

I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies - as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.

I look at Playtone, the company that produced My Big Fat Greek Wedding. I call them my Playtoners. They are the kindest people who treated me like gold before that movie made a dime. We became personal friends. When I think about how lovely and wonderful they are that convinces me that you don't have to make a deal with the devil to succeed. It's a choice.

Ever since I started, I think Bollywood has gone through a lot of changes. Film producers now want to experiment with their movie's music and that's why you see many of them working with independent musicians.