Film Material Quotes

I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.

I can't say that I wouldn't prefer to make small films, basically because I think they are probably more interesting in terms of the material. But every now and again, it's quite good to do a big one.

I found that the quality of TV material that came to me was so great and was just often better than the film material I got. And when I find a good movie that I really like, I jump on it because it's exciting to do.

I fell for a Spanish woman and followed her to Spain. We got married there, and then I got involved in the Spanish film industry and got the material for 'Barcelona.' It was my way of breaking into the film industry.

I love celluloid. I love the look of it.

I was pretty certain I'd stay in TV rather than returning to the feature world because the material just seems so much better in TV, especially in drama, but then 'Crossface' came my way. A heartbreaking, true story about the dark side of wrestling... I couldn't say no to that.

'Liberace's a great film. It's a great piece of material. I have a great script and it's a great score.

I would define independent film as a movie that is not financed by any of the smaller film companies. Because then, those are movies that in all likelihood are made without stars. And then they have to rely just on the material.

I don't know that I necessarily feel more comfortable in the context of smaller films, but I tend to feel more comfortable more often than not with the material of smaller films.

One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.

I like to shoot beautiful things. My two previous movies were one in the '60s, the other one in the '50s, and this one is in the '20s. This is a period that's very cinegenic. The cars, the props, the suits, the haircuts, the dresses, everything, and it gives you pleasure to compose frames with that material. The music, I really love jazz, so for me, when you have good materials and nice things, it's very pleasant.