I always wanted to be a film composer. So very early on I started collecting soundtracks and paying attention to how movie music works. Actually I'd like to have the opportunity to conduct for the rest of my life.
I think I've done more recording in the past 10 years than most people, but it's all been directed toward film composing and soundtracks. Just the same, it's been great.
My best film composing experience was with Elia Kazan.
I have completed 21 years of composing music in Indian films.
Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.
One of the major aspects of film composing is that it's not so much a musical thing as it is communicating your ideas with the director, who often does not come from a musical background.
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another composer Klaus Badelt. That's how I got my foot in the door.
I've done lots of songs for film soundtracks and things like that - stuff I'm not ashamed of, but that doesn't represent my legacy with the Pretenders.
I've seen composers work on 30 films at one go. So, eight or even 10 albums in a year is no big deal.
There's a thing about film composing and conducting in my family.
I would love to compose for an entire film because it will be a different experience.
