People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
I just am so tired of really badly written women. It's so boring.
I always found growing up that, even inspiring female characters or complex female characters in TV and film... I often found that their complexity was actually just another facet of their sexuality.
I think all things are political... How women are portrayed - that's a big thing for me. What is this role trying to say about women? Is this woman weak or victimised, and, if so, do we get to understand why?
Women? Women are like...thunderstorms. They're beautiful to look at, and sometimes they're nice to listen to-but most of the time they're just plain inconvenient.
In sitcoms, the women are so beautiful, understanding and well-bred. They have humor, but sort of display it with a twinkle of the eye and not a guffaw. But there's no juice in that for me.
It was a smooth silvery voice that matched her hair. It had a tiny tinkle in it, like bells in a doll's house. I thought that was silly as soon as I thought of it.
So often, in films, there are two ways a female can be portrayed: either innocent and virginal or the complete opposite.
When we create female characters, I think often there is a tendency to kind of make female characters emotionally bulletproof.
I think sometimes women who are supposed to be strong are also written as mean and vindictive.
That's my main complaint with Murakami: that he writes these complex males and then really static women.
I always say, if a guy writes the same lead female character type over and over, we are not seeing their writing chops so much as their dating website wishlist.
There are so many female roles - particularly for young women - that are just somebody's girlfriend or somebody's daughter, or that are accessories to the main story rather than being three-dimensional characters.
While husbands and lovers in the stories are of all kinds, ranging from sympathetic to disgusting, women are invariably deceivers: inconstant, unscrupulous, quarrelsome, querulous, lecherous, shameless, although not necessarily all of these at once.
Take no heed of her.... She reads a lot of books.
In 'Boyz N the Hood,' every female character was three-dimensional.
What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break.
I do not think that when I write a female character, I intend to reflect my thoughts on gender equality, but I always make sure that my female character is not decorative, they are human, they are good, bad, complex and close to reality.
There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.
I guess the characters I play may be at the more destructive edge of the spectrum, more damaged or whatever, but I find a lot of female roles uninteresting.
I do see a lot of roles that are, like, the girlfriend or the love interest or the girl next door. Maybe not totally well-rounded kinds of characters - women who are more of a plot device in a way.
I love playing video games, but I'm regularly disappointed in the limited and limiting ways women are represented.
Though the characters I have played are all very different, they are all strong, interesting women.
I don't want to play the girlfriend who's there because she's the girlfriend. And. That's. Her. Job. I want to play women and girls who are active and strong and who have a character arc and make decisions and have a rich background.
