An imagination is a powerful tool. It can tint memories of the past, shade perceptions of the present, or paint a future so vivid that it can entice... or terrify, all depending upon how we conduct ourselves today.
When I'm not actually doing my work, I'm planning it or thinking about it or reading things that on some level are transformed into performance fantasies. I have no active interests. I never go anywhere or do anything that transports me outside the boundaries of my mind.
The thinking person has the strange characteristic to like to create a fantasy in the place of the unsolved problem, a fantasy that stays with the person even when the problem has been solved and truth made its appearance.
The realist lies for advantage. The fantasist lies to give his dreams a flavor of reality.
We see what we want to see. We idealize each other with our own fantasies.
I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
It is not that love sometimes makes mistakes, but that it is, essentially, a mistake. We fall in love when our imagination projects nonexistent perfections on to another person. One day the phantasmagoria vanishes, and with it love dies.
They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.