Reading is where the wild things are.
We need metaphors of magic and monsters in order to understand the human condition.
I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?
[A]ll the ingenious men, and all the scientific men, and all the fanciful men, in the world,... could never invent, if all their wits were boiled into one, anything so curious and so ridiculous as a lobster.
I gave you three proofs of witchcraft. A cat that drinks blood! A horse that talks! And a man who propagates POODLES!
I don't want to see the zipper in the back of the monster suit. Like everybody else who goes to the movies, I want to believe the monster is real.
Au revoir, jewelled alligators and white hotels, hallucinatory forests, farewell.
Fantasy hats give you the possibility to dream.
I think that as kids we all picture ourselves as the princess, the prince, and not really ever as the housekeeper or the comical alpaca or llama or what have you - the sidekick. But as an adult, I'm such a huge fan of people who are funny and people who are, in very brief moments, able to do something that you would never think is possible.
I'm the kid who wanted to grow up and be Bugs Bunny. I was very, very disappointed when I realized I couldn't grow up and be a cartoon character.
Mermaids are just the most whimsical, mystical creatures of all time.
Fantasy is my heart and love. And I just want to play in that garden for the rest of my life.
Imagination creates some big monsters.
Maybe in the world of BoJack, physical attraction is sort of different, beauty standards are different from our world because, why not? It's just more fun to have a sexy chameleon or a blue-tongued skink or whatever. I don't know how subversive that is, but it's fun for me.
Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
Come unto these yellow sands, And then take hands. Curtsied when you have and kissed The wild waves whist, Foot is featly here and there; And, sweet sprites, the burden bear. Ariel's song, scene II, Act I
Many of the elements associated with storybook mythology and gothic aesthetics are actually not expressive.
Actors get to go to these amazing worlds. In 'Terminator,' I was a cyborg with feelings; in 'Avatar,' I lived for 15 months on a fantastical planet, and in 'Clash of the Titans,' I get to fight a scorpion the size of a dump truck. It's a bizarre job, but you explore yourself.
If the same object from two different times touches itself, one of two things will happen. Either the Universe will cease to exist. Or three remarkable dwarfs will dance through the streets with flowerpots on their heads.
When I was a kid, Santa, the Tooth Fairy, my stuffed animals - they were real. There is the tremendous suspension of disbelief that you have as a child. It's harder as an adult.
I was an imaginative kid. My sister needed entertaining, whereas I was the one under the table playing with a bit of fluff on the carpet. I was the sort of child who would spend time rolling up balls of all different kinds of fluff and that would be my little family.
She is pure Alice in Wonderland, and her appearance and demeanor are a nicely judged mix of the Red Queen and a Flamingo.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
Cavorting around fantasy-style environments with a rampaging horde of sycophantic psychos is inherently amusing.
Perhaps fantasy offers imaginative escapism more than other genres.
