Family Collaboration Quotes

It's an incredible opportunity to work alongside my father. We have the same ambitions, the same vision.

I had always told my father that before working with him in the same frame as an actor, which I was petrified to do, I wanted to learn from him, so I had pleaded with him for two years before he agreed to write and direct 'Mausam.' It was our dream project and a wonderful opportunity for us to work as a family.

My voice is my gift. And Pops had me using it in the right way. I had many offers to sing pop, to sing rhythm and blues. Pops said "Mavis, this record company want to give you a million dollars." I said, "No daddy, I want to sing with the family." And I did. I never wanted to branch out by myself. But I've had to now. It's my mission. I've been left here to do it. And I'm grateful.

Thomas, my 15-year-old, is effectively my editor, I've always trusted his voice, more than anybody, on the strip for years. He has one of those ears that's just tuned to the rhythm of humor, so if he says something's not funny, my stomach just hurts because I know he's right, and it's already been drawn.

I'm an artist, and I go in the studio and make my music. And then I'll give it to my dad and he does what he does. And he does, you know, the press, and figuring out shows and whatnot. When it comes to my artistic freedom, he doesn't, like, step on my toes or anything.

To make a movie is very stressful, especially when you work with your father. You want to think the movie is good. Even when I don't work with my father, I want it to be good.

I think my sister and I just focus on working hard. We started off working with Wal-Mart on our first clothing line as an extension of our personal brand when we were 12, and we got to learn about being aware of what was in the market and what wasn't.

It's a funny thing. It's an odd thing to have your dad just come and work with you. But I think they all enjoyed working with him. It was a lot of fun. David loved teasing my dad, but I know respects him very much and when he gave him direction, David was always trying to do what he asked and we had a lot of fun.

I love to direct my daughter, and act with her, and we both want to work with Jane again.

Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.

I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.

It will be amazing to collaborate with my dad. It will be special.

It's only normal for me to work with my family because I think they are talented and because there's a warmth when I'm working. As a filmmaker, sometimes you are very fragile. You are in a very fragile situation most of the time. I think it's important to be surrounded by people you just get along with.

My mother was a cracker jack typist. And she would come in and sit at my house and type the final type script before I would then send it to the publisher. And it was nice for us.

My dad reads the scripts and passes them on to me.

I have a dad-ager. My dad is really good at the business end of things. But it's really a family affair. My mother handles all my social media stuff - Facebook, Twitter, e-mails, that kind of thing.

I worked with my parents on the stage in production numbers since I was 4, but I never really gave much thought to being a performer on my own until I was 12 or 13.

My Dad has been on board for the entire project. He has produced Hello' and made sure that everything is just right this time.

I am living my dream because I get to work with my kids and watch them find their happiness. It's so rewarding - we brainstorm around a conference table and have a really great time doing it.

I'm always happy to work with my brother and especially to be a part of 'The Voice Kids.'

I absolutely love working with my dad because there is such an ease about it, and I also love his company.

I tape every game I can get my hands on. Every game that's on TV, I tape it. My daughter, Terry Hill, lives in Eureka, and she has a satellite dish, so she tapes what I can't get. I try to keep up with what everybody is doing, so if the phone rings, I'll be ready.

I work with my brother Finneas, and he produces all of my music in his little bedroom in our house. We actually tried renting out a studio for a month when we were producing 'Don't Smile at Me,' but it was really hard there, and we ended up just doing it at home anyway.

It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.

I might do my own independent film, that my husband wrote for me, if all the ducks are in a row.