I paint a slice of life, whatever it is that day.
Ordinary things have always seemed numinous to me
I don't see myself as having had an exceptional life. Yeah sure, I've had an interesting life, but I'm more interested in what's not exceptional about it.
I'd love to be approached to do ordinary things more.
I don't think about art when I'm working. I try to think about life.
I don't like lyrics to be overbearing. I like them to say something. But I'm not trying to change the world overnight. Something simple and understandable that people can relate their own everyday experiences to.
It is not that Shakespeare's art is in technicolor and fancy, and that real life is black and white and tedious. The life that Shakespeare was living was the only life he had, and he had to use it to create what he was doing.
I want content that is relevant to my life, that is relevant to me, that is set in the real world.
My work is mostly influenced by the concrete circumstances of our daily lives.
There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
My influences come from real life. I'm not interested in cinema for cinema's sake. I'm interested in life - what one does and how one interacts.
Scientific studies about relationships fascinate me, and I devour them hungrily, especially when they give big, fancy-sounding names to everyday experiences.
The advertisements form the most interesting and practical city news. They are the hopes, the thoughts, the joys, the plans, the shames, the losses, the mishaps, the fortunes, the pleasures, the miseries, the politics, and the religion of the people. Each advertiser is therefore a reporter, a sort of penny-a-liner, he paying the penny. What a picture ... one day's advertisements ... presents to mankind!
Historians have taken Hudson’s observations seriously ever since.
I try to pull my inspirations from everyday life. If I came across a situation that is like, 'Oh, that's going to be scary, that's going to be frightening,' that's when I get inspired, and I put that into my films.
I think people are drawn to 'The Pioneer Woman,' not because I am some fascinating person but because I present things that a lot of people can relate to.
There just hasn't been a voice for that normal dude when it comes to rap.
Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.
I concentrate, more than I think virtually any comic book artist has in the past, on the so-called mundane details of every day life - quotidian life. What happens to a person during a working day, marital relations, and stuff like that.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
the more humdrum aspects of life do not make for gripping reading. To render them compelling, a writer must describe the universal in eloquent and evocative prose. Alas, Frey's writing suggests that this was not an option, and he came up with something else.
But who has time to write memoirs? I’m still living my memoirs.
I like to write songs about what's happening, what I see around me and what I hear. Everyday life. Someone may be talking to me and I may take it from that.
I think daily life is where the lessons come in - that's where the tests and the growth come in.
Today, for good or ill, people are thinking about many social problems from the standpoint of their own kitchen tables. I think the way to begin a conversation with people about what's going on is to address their daily experiences, and what their fears and frustrations, as well as their exhilarations, are.
I take simple everyday things that happen to me and I figure it happens to a lot of other people and I make simple rhymes out of them.