Emotional Access Quotes

I have the greatest respect for Mr. Rishi Kapoor - he's simply amazing and also Sridevi. I personally think that is what acting IS about! If you have tapped into your talent, you should be trained enough to access it easily!

Actors, their greatest tool, their greatest resource is imagination. You can take things, power objects, you can recruit your dreams, you can access your memories and get there. So the idea is not to act but to just be.

I think in the '80s, when I started making films, we were all suspicious of these technologies. We were all convinced they would filter out any emotion and sense of intimacy, and the films I made during that period reflected that. In fact, what has happened is the opposite. I think we're saturated with a degree of intimacy we would never have expected, and we're trying to sort through this idea of complete access to each other's lives on an ongoing basis. Our emotions aren't filtered out at all. They're actually accelerated.

If you think back to the moments when you've gone through the most pain in your life, or the most severe anxiety, your body is very much involved in that. Your body is expressing those emotions. So, when we, as actors, try to access those feelings, the body is a great tool to use.

People are dream killers--you've got to be careful who you give emotional access to.

I don't think for this generation, but for my generation and my father's generation, men had difficulty in accessing emotion and then being able to talk about it.

Stories can be a jumping-off point to access the emotions and the sensations in the body.

Being an actor means asking people to look at you. I guess I accept that. But it's a profession in which the job is to show another world and other people. You may access it through bits of yourself, and your imagination and experience, but actually, in the end, you're not playing yourself.

I think that becoming a parent absolutely changes your entire life and certainly changes your work, and it has changed mine. It just allows you to have access to your emotions, even more than you already did. You're watching this little person grow in front of you, and you realize that you're seeing how precious life is and how quickly it goes. You get to things faster, even emotionally. I'm not as timid about reaching into some areas in myself and bringing that to my work.

Now that I'm acting, I've realized that I don't have a lot of barriers. Certain actors have a hard time with anger or with joy or with whatever, and, I don't know, I don't seem to have those barriers.

Really, for me, it's important to know who's pitching and who's catching - just what that scene is supposed to accomplish in terms of storytelling. That being said, on the day, basically what you're trying to get yourself into an open place. And if the character is in a state of anxiety or vulnerability, you try to find some touchstone.

When I go for a project, I wonder what underpinning a project will have that's going to give the audience some emotional access to it.

But one of the hardest things for me to do was to access anger. I could do it on stage. But when I did it on film it was hard for me. That probably has to do with the intimacy of film. And my own personal issues with expressing anger. So I had to learn how to do that.

Music has always been such an amazing tool for me to access self and emotion.

I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.

I guess every actor has certain emotions they can access easier than others.

Entertainment is all about helping people feel things that they might not have access to normally. They watch something and it makes them feel something, and that makes them reflective about their own life, you know?

If you go to YouTube and look up 'grief' you can find them and it's just an unbelievable tool for an actor to be able to access, without being unethical. It's like accessing the deepest, most painful parts of a person.

It is a dangerous thing to have instant access to your emotions.

Emotional access to the truth is the indispensable precondition of healing.

It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then really soft in order to access your character's emotions.

Mads is such a talented actor - it's almost like he wears his emotions on his sleeve, but not all the time - when he decides that he needs to, he has such access to his emotional life and it is just really incredible. He can do everything with just his eyes.

When my physicality is involved, it's kind of my comfort zone, so I find it much easier to access emotions.