Stanley Hudson was the embodiment of many workers in America, both male and female. Creating the nuances of the character was fun and challenging in that much of his very being was grounded in his ability to editorialize any given situation, much of the time without uttering a single word.
I was trained as journalist never to use the word 'I,' never to put my own opinion there. In fact, if you had a dollar or a euro for every time I use the word 'I,' you would be a poor person. But this is not true in general. I like the idea of being able to stand away and make a judgement.
I think the commentarian has taken over, so now what you get is a lot less reporting and more opinion.
The difference between Koppell and Olberman types is that one gives editorializing in all its editorial frankness so there are no mistakes as to bias, and the other passes off a subtler bias as objectivity.
You do get certain publications in the States where, if things don't go according to plan, they flip the story and it becomes very negative.
Objective journalism and an opinion column are about as similar as the Bible and Playboy magazine.
Ultimately, it's not my job to judge the 'Housewives' - we don't editorialize on the show; we really leave it to the audience. We have a certain wink, which is the Bravo wink. We may linger on a shot or we may let something play out longer, but we leave it to you.
You can do everything differently in a novel. Hero narrates the novel; we're in his head. You're hearing all his thought processes and you're hearing him call himself out on his bad behavior. You don't have the benefit of that narrator in a movie. What you see a character do, very often, becomes that much more important because you don't have him editorializing it for you.
There is a temptation for an actor to editorialize what they're doing. And you can't do that with Pinter. It's almost like a musical score. His lines are so specific, but they can mean different things to different people, like an alternating current.
Memories contain hidden editorials on current events.
If you're doing a column, you kind of have to. Like in the back of Sports Illustrated, Rick Reilly has to find something to be mad about. It's not really the way I approach things.
There are some programs on FOX that are not only fair and balanced, they're commentary shows. They don't have to be. But they brag about how fair and balanced they are. They don't cover rallies and tea parties. They cheer lead for rallies and tea parties. And as a journalist, I am totally against that.
When you're given a newspaper column, you're not being paid to sit on a fence and scratch your chin and say 'On the one hand this' and 'On the other hand that.' You're getting paid for your opinion.
What you say about the newspapers is very true ... They are indeed a curious compound of truth and untruth. I am so used to newspaper nonsense and attacks that I do not mind it in the least....
The queen was a lot more sophisticated about the newspapers than politicians in the 21st century.
I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.
I think that there's a real appetite for opinion-driven satire, not just generic making jokes about what's in the news but actually point-of-view-driven stuff.
When you speak of the press, of course, you have to speak of different segments of the press. Reporters, straight reporters, wire services, you stick to the facts; you don't create the story, per se. You cover what is happening.
What it is is a type of editorialization, you know? This is self-portraiture. This is what you think about the world we live in.
As in the case of many of the stories that I've written I'm not trying to editorialize. I don't want there to be a message at the end of anything I write. Otherwise you wouldn't trust the characters. They'd feel less organic and more like puppets that are sharing the author's opinion.
for better or worse, it is the commentator who has the last word.
This is 'Southland,' so we don't editorialize.