Dynamic Action Quotes

You have to keep busy. After all, no dog's ever pissed on a moving car.

The fusion of elements united solely by a faith in violence--the lack of a precise political and moral program--the fact that most of the enthusiastic rank and file of Fascism boasted of impersonating "dynamic action" and not doctrinally defined principles--all combined to create a situation in which the Fascist movement evolved quickly, and without the knowledge of the majority of its followers, into an instrument of reaction.

People know I love to shoot action and that I'm not afraid of emotion.

You always know about the guys who are sorta like the moral winner. Then, all the sudden, a guy comes up - the average, hardworking young man - and pulls off something that's, you know, totally unexpected, and in such a dynamic fashion.

What Leo does is so incredible that I have to be careful not to stand still watching him make his moves.

A perfect writer would make words sing, dance, kiss, do the male and female act, bear children, weep, bleed, rage, stab, steal, fire cannon, steer ships, sack cities, charge with cavalry or infantry, or do anything that man or woman or the natural powers can do.

Action on the move creates its own route, creates to a very great extent the conditions under which it is to be fulfilled and thus baffles all calculation.

Be militant! Be an organization that is going to do things! If you can find older men who will give you countenance and acceptableleadership, follow them; but if you cannot, organize separately and dispense with them. There are only two sorts of men to be associated with when something is to be done: Those are young men and men who never grow old.

It is important to understand what I mean by semiosis. All dynamic action, or action of brute force, physical or psychical, either takes place between two subjects, whether they react equally upon each other, or one is agent and the other patient, entirely or partially, or at any rate is a resultant of such actions between pairs. But by "semiosis" I mean, on the contrary, an action, or influence, which is, or involves, a cooperation of three subjects, such as a sign, its object, and its interpretant, this tri-relative influence not being in any way resolvable into actions between pairs.

I see myself more as an action director. All right, I do enjoy intense, bloodthirsty action but I like to blend and cross genres. I don't want to be too predictable.

I've always been attracted to action stuff.

I've done a lot of action movies, and there has to be a certain amount of emotion in the actual performing of the stunt. It doesn't have to be any particular emotion, but there has to be some life to it, and that's not so easy.

Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.

I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.