There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
I guess because we're essentially a two-man band, we're attracting Wham's crowd. But Wham! are more of a businessman's band.
Me and George and Billy are two of a kind.
I started out as a duo with Mis-Teeq's Sabrina Washington, and we worked for four or five years before signing a record deal. I had no money, and I was taking part-time jobs just to earn the train fare to get to rehearsals.
There are two of them up here.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
They have a kind of Bob Hope and Bing Crosby thing going on.
We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal.
Naturally, in a band or duo, it's really about compromise which isn't necessarily a bad thing.
Holy Ghost! wears its influences proudly: Look no further than the duo's video for 'I Will Come Back,' a shot-for-shot remake of the music video for New Order's 1983 single, 'Confusion.'
It's very difficult to put it into words or really put your finger on exactly what it was that people found so attractive about Wham! But it was a lot to do with George and me and our friendship.
Hall & Oates is everything.
The 'Sodajerker' podcast is the work of Liverpool songwriting duo Simon Barber and Brian O'Connor.
I like Pique a lot. He has class. He knows how to defend and also how to score. He is perfect in a duo with Carles Puyol.
I'm in this music duo called Moors.
My brother is the lead singer of The Torn, and my parents are in a country duo.
Obviously Hall & Oates wasn't overlooked by the masses in terms of the record sales.
