Dramatic Moment Quotes

The most anxious time was during launch, just because that is so dramatic.

I always feel on film you have to earn a ballad, because it's a different kind of pace.

When a skater steps on the ice to compete, the nerves, the tension, and sheer suspense of that moment make for great drama.

I look at scripts really for whether they can be moving or penetrate some kind of truth. You are constantly chasing that feeling as an actor when every part of a production comes together.

… the most dramatic moment in the early politics of the Union.

The best part is coming." "What's the best part? You swallowing an entire cow whole?" "No. That's the finale.

Now is the dramatic moment of fate, Watson, when you hear a step upon the stair which is walking into your life, and you know not whether for good or ill.

In Las Vegas, a day before the Latin Grammys, I was walking backward and hit a light and fell down. The worst part is that I was singing with Becky G and Mau y Ricky - they all rushed over to help me. It was very dramatic.

The opening solo on 'Once in Royal David's City' is still the most dramatic radio moment of the year.

I was aware of people staring at me. No one moved. They seemed almost in trance. I just stared at the clock in the center of the church. When I finished, everyone clapped and started crying.

Heading is a skill, and it would be a shame to lose that from the game. There is nothing more dramatic than when you see someone score a diving header, for instance.

When the script is finished, and you're sitting around at a table read, and all the actors are reading the words that you've written, and you're hearing it out loud for the first time, that is always, every single time, no matter what, a magical process.

I like going into a school matinee. I like to be behind the stage because there's a spy-hole and what you see is the best moment in all theatre.

I'd love to be a dead body in the emergency room and have George Clooney go, 'This one's gone!' while he puts a sheet on me.

I really like the power of stopping the laughter and turning it to horror.

I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.

The moment one accosts a stranger or is accosted by him is above all in this life the moment of drama... Whoever we meet watches us intently at the quick, strange moment of meeting, to see whether we are disposed to be friendly.

Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.

It was one of those moments that would have had dramatic music if my life were a movie, but instead I got a radio jingle for some kind of submarine sandwich place blaring over the store's ambient stereo. The movie of my life must be really low-budget.

You hear a song like 'Wait For It,' you hear a song like 'Dear Theodosia' - if you get one of those songs in a musical - one - it's worth dropping everything to sing that one song.

I love the ending of a movie where two people end up together. Preferably if there's rain and an airport or running or a confession of love.

I try to do something the audience might not have seen before. Like if I'm gonna kiss a girl I wanna kiss her like a girl has never been kissed. Like maybe I would kick her legs out from under her and catch her right before she hits the ground and then kiss her.

Just to see him come on the stage was an event. They had very high risers, and back a little bit, so he'd walk around behind the risers and right across the front of the stage to the podium, remember?

I like the stage challenges of having somebody literally falling apart before your very eyes.

For a moment his eyes locked onto me with an intensity that left me breathless.