Distinct Voice Quotes

I am a unique kind of personage and voice! No one else is like me!

I think what makes me stand out from the rest is my melodic style combined with my voice, which has a distinct character to it.

I let my people know that I'd love to work with Ryan Coogler one day because I thought he's just one of those truly auteur directors of our time. And I was just like, 'I want to work with a guy like that.' I think he has such a great understanding and distinct voice of his own.

I have an original voice. It may not be the best voice, but it's distinct, and I think that's what has carried me through the years.

My 'Slide Some Oil' ain't gon' be Nipsey Russell's 'Slide Some Oil.' Elijah Kelley's 'You Can't Win' ain't gon' be Michael Jackson's 'You Can't Win.'

My voice is very distinct. People hear Tracy Morgan's voice, and they know Tracy Morgan right off the bat because I've been in their homes for so many years.

The fewer the voices on the side of truth, the more distinct and strong must be your own.

I like artists with a life, where it's not this universal thing anybody could sing. I want them speaking to me in only a way that they can. To me, that's what makes it good.

Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.

My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.

Even hostile parodies admit from the start that the target has a distinct voice.

I create each character as an individual, coming from a certain place, sounding a certain way, having been introduced to things a certain way.

Each voice is distinct and has something to say. Each voice deserves to be heard. But it requires the act of listening.

I like writing characters that seem different from one another. So if you were to hypothetically look at a bunch of lines from books I've written, just out of context, hopefully you would be able to determine who said what. That's the goal, anyway. I try to strongly differentiate through dialogue.

Producing is figuring out how to make each character have a distinct voice, how to make the story twist and turn - that's the biggest challenge.

What's great about [Guettel] is his very distinct voice as a composer. And that distinct voice is something worth cherishing and expressing so we just didn't want to screw that up.

I think an important quality that I have is that if you turn on the radio and hear somebody sing, you know it's me. You don't confuse my voice with another voice.