Disco Dancing Quotes

I never really did any disco dancing.

There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.

I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.

I still go on YouTube and watch the old performances and the 'Soul Train' lines. I'm still amazed by how much soul and funk the music and dancers had.

There's nothing wrong with wanting to be in a disco band.

I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.

The only dancing I did was at the discotheques. I was a very good disco dancer. I say that I learned disco dancing at the wrong places.

Disco does work better with black artists or players. They just feel it more.

I'm from the disco era where everybody thought they were John Travolta... What song is going to get me on the dance floor? Anything from 'Saturday Night Fever,' and you're up there like a demon.

I like to dance disco.

The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'

Disco dancing is just the steady thump of a giant moron knocking in an endless nail.

One thing the futurists never get right, though, is that the extreme desire for polyester only lasted a brief period in the '70s!

When you think mid-seventies, you think of Studio 54, but there was a whole other thing going on. Where I was, it was more deep-woods preppy. Real-guy preppy.