Detailed Planning Quotes

I'm a total control freak and love to participate in the design of every single aspect of life.

The thing about our movies is, we write thirty drafts. That's a very detailed script. Which means that if you try to crank it out week to week in television, it's impossible.

I think the biggest thing, even from Day 1 after the draft, was coach DeFillipo being very detailed with everything.

There's no set like a Ryan Murphy set, mainly because it feels like he's built an entire world. He's so thoughtful and meticulous, and every detail is thought about and cared for.

I have always meticulously storyboarded my films from beginning to end.

I think you cannot make films without choosing everything.

My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.

PM Modi believes in detailed planning through extensive consultation. He is an example as a listener - no interruptions, no urgent phone calls, no distractions; he absorbs every input. He doesn't hesitate to say he needs more inputs, another round of briefing, or more time to mull over.

Nitesh Tiwari is so particular about his pre-production, where he plans every aspect of his film.

Networks, especially, micro-manage everything to death.

Whilst I love still hiding... games and puzzles to play, I'm not as imprisoned by that need to fill every corner with detail.

One of the tricky things with animation is, because we spend four years on the movie and everything is done so methodically day by day by day, it can be a struggle to have the finished film feel spontaneous and loose and naturally occurring.

Unai is very calm, composed and extremely detailed in what he expects. From Monday through to Friday, every single training session is very carefully planned.

Throughout my career, especially the second half of my career, I was always nerdy or anal when it came to how I prepared for my matches.

After preliminary research, I zero in on an idea, and then I spend at least four months exploring the topic and in plot-building. I jot down every single detail of the plot as bullet points per chapter, and only when the skeleton is complete do I start writing.

I always do very detailed demos. I feel that it's better to show the director a demo that sounds as close to the final thing as possible with samples. It takes time to create, but I feel that it's better to get the director on board very early on in terms of the sounds that I have in my head.

When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.