Dance Styles Quotes

When people think of dance films, they don't really think of good stories.

Yes, anybody can dance. Whether it is right or wrong, that doesn't matter.

I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.

I am a professional dancer, so picking up dance steps was like brushing my teeth.

I always wanted to thrill people with my dancing - just as how K-pop dancing thrilled me.

I was really creative. I started to dance very young. I loved to dance. I begged my mother to put me into dance classes, and finally, in third grade, she did. Tap and jazz, but not ballet.

I did ballet at the Menlo Park Academy of Dance from age 4 to 11, but then I switched to ballroom, and I've been doing that ever since.

I have been photographing people dancing for 20 or 30 years now, and I think I will eventually do a book of dancing photos.

I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.

I'm a fantastic dancer!

I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.

Jeremy Lamb is a great dancer.

I'm happy to dance with anyone, to be honest. I've had some great partners, who have all been talented. But not all of them at dancing.

I'm from Chicago, so you know we come from juking and footwork.

In the beginning, I didn't dance that much and stuff.

I'm glad that nowadays people are aware of varied dance genres, thanks to reality TV dance shows.

Until I was in 6th grade, I took ballet, jazz, tap, and hip hop.

I was born with rhythm but I don't know if - I'm not a break dancer.

I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.

It's all cyclical. Sometimes things just come in packs. At one point you had this collection of great choreographers where you would see eight bars and you would know definitely who did it.

I was serious about ballet for a long time, but my mom got me into tap and jazz and modern and hip-hop, and I was one of those over-lessoned children.

If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.

So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.

Daddy, What's the horizontal tango?

Growing up, I was a dancer. I wanted to be a choreographer.