We don't vogue, we are 'Vogue'.
In the dance world, it has to be in your genetic make-up - your body has to suit the training.
At the time the quickest way to establish yourself as an American was to throw a little bit of tap into your dance - even when it wasn't called for. But what also helped me was the fact that I was dancing in roles that I had played.
Disco is just jitterbug.
I'm an excellent dancer. I keep up with whatever's hot. I've been break-dancing and pop-locking since back in the day.
Dance has been a driving force in my life for 25 years. From music videos and hip hop, to jazz and musical theater, to ballet and classic modern dance, I have had extensive exposure to a variety of techniques that inspire my own electric style.
West Side Story was terribly important because of the style of the dancing and the gangs of New York.
One of the things that made Bob so unique and wonderful is that he had a genuine style, like Balanchine, like de Mille.
I never really did any disco dancing.
I loved Fred Astaire's way of dancing. He led you into the dance.
The mindset of this [“Gangnam Style”] dance is dress classy, and dance cheesy,
My music is a reflection of what I really love to listen to, pop, dance, mid tempo dance and ballads.
Their way of Dancing, is nothing but a sort of stamping Motion, much like the treading upon Founders Bellows.
I was born with rhythm but I don't know if - I'm not a break dancer.
If I played a tough kid on the street I couldn't go out there and get into fifth position. I had to dance like a tough kid on the street.
I'm a terrible dancer! Oh, I'm an awful dancer!
Everyone is unique to the way that they dance in New Orleans.
Balanchine is the number one influence for me. His work was really musically driven. He and Jerome Robbins were the ones who really showed me that dance could be about the inner relation between movement and music. When I was a student first seeing their work, I was like, 'Oh, this is a thing?'
He was a punk, she did ballet. What more can I say.
Ma'am, I'm not tryin' to be sexy. Ah didn't have any clear idea of trying to sell sex. It's just my way of expressin' how I feel when I move around. It's all leg movement. I don't do nothin' with my body.
I'm a bit of a traditionalist; the ballroom is all about tails and I never mess about with that. But for the Latin you can have a bit fun: tight trousers, gold shirt open to my waist, be a bit ridiculous.
The paso doble is my favourite dance on 'Strictly,' so I'm so pleased I get to do it.
I wiggle my shoulders, I shake my legs, I walk up and down the stage, I hop around on one foot. But I never bump and grind. Why, that's vulgar. I'd never do anything vulgar before an audience. My mother would never allow it.
Twerking is definitely from New Orleans.
My dream role would be anything where I get to tap-dance.
