Crossover Success Quotes

Right now my career is totally schizophrenic, because when an American production like Hitchcock Presents asks to see my work I would never dream of showing them my independent films.

Just like multiplex theatres, the industry had become divided, making films that alienated one kind of audience or another. It was really time to come out of the niche and make something that, at a certain level, clicked with everyone. 'Wanted' did just that. It opened the gates once more.

I was glad to see other blues guitarists like Albert King have crossover successes like me. We played in the same places like the Whisky and the Filmore. When Albert made his guitar cry, he could cut you so deep!

There's a misconception in my opinion... and it's that we Latinos have to go do an American album, an English album, an Anglo production, to cross over.

It's not like I'm the first man ever to do this, y'know? You gotta go back to Nat King Cole, Bing Crosby and Sammy Davis Jr. Those are people who've done music well and movies well, and y'know, Frank Sinatra and Elvis and all these dudes have made the transition. I don't know about Elvis, 'bout doin' 'em good, y'know? It's nothin' new.

If I would have planned it, I would have had what Gosling has, that kind of art-house career.

Strangely enough, when the Sugababes' 'Freak Like Me' went to number 1, which was built around my 'Are 'Friends' Electric' song, I had another song called 'Rip' go to number 1 in the Kerrang TV chart, so I was pulling new people in from very different areas of musical interest. That was quite an amazing week.

If you look at my career, doing albums with Norah Jones, Justin Timberlake, Gucci Mane and Lil Wayne or KRS-One and Jean Grae, I can't be pigeonholed.

Because of what I did in Punjabi cinema, I have got offers in Bollywood.

When I sing a pop song, I'm a pop singer. When I sing a country song, I'm a country singer. I've been very lucky to cross over, because by doing that, you can't be pigeonholed.

If a biopic is ever made on me, Priyanka Chopra will be able to do justice to my character. She is not only talented, but I also like the way she conducts herself. I am happy that she is making her presence felt in Hollywood.

In a way, to have whatever people talk about as "crossover success," I think it means you start making bad music. I mean, when I'm flipping through the channels and see the VMAs or something, I don't really see any music there.

With 'Sharknado,' they've got a great mix of TV and film. This is a film that has film impact in the TV medium.

TV actors are doing great in Bollywood. We have our own market, our own fans, who love to see us on the big screen.

While Hollywood has had a huge influence on the Indian industry, Bollywood and its actors, too, are garnering a lot of attention in the western film world.

Run DMC brought us out of that underground-only feel. They brought rap above ground and made it respectable as an art form to mainstream music.

Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.

Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.

I think you have a crossover when you are known to a wider audience and a different market. I've been able to sell out stadiums all over the world by doing my music. I'm lucky to be in that list without having done an official crossover. Now, will you hear me doing a little bit of R&B? Sure.

I wouldn't call myself at all as a crossover artist - I kind of hate that word - but in a way, you need to see me like that, because I'm working in classical music, I'm doing these other projects, and I'm having a rock career at the same time.

The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.

At one point, people thought that Eddie Murphy would only reach one sector of the audience, but now everyone sees everything Eddie Murphy does.

With the song 'This Christmas' I wanted to do something that was kind of different. I mean, Donny Hathaway is an amazing artist. So I wanted to bring my flavor to the song so when people over the age of 45 or 50 hear it they'll be like 'OK, he did his thing with that record.' It's like I can appeal to everybody and not just a younger demographic.

The beautiful thing about it is that 'Despacito' is not really an English crossover. It was just another song that the world made a crossover. I didn't really push it; it just kinda went there.

I've been a big believer in musicians turned actor, going back to Sinatra winning the Oscar for 'From Here To Eternity.' David Bowie in 'Man Who Fell to Earth,' Kris Kristofferson's been great in a bunch of films. Liza Minnelli, Barbra Streisand, Mariah Carey, I thought was great in 'Precious.'