Creative Privilege Quotes

'No words - action' was the lesson my mother taught me: as artists, we have the privilege of holding a mirror to the world, to engage, to question, to bring beauty to a complex universe.

The 'Batman' franchise is iconic and its a privilege to now be able to visualize it in my own way.

We, as film-makers, are privileged. We can make people cry or laugh. We can make them think and feel. It is a great privilege and a great responsibility.

I wonder why anyone would hesitate to be generous with their writing. I mean, if you really want to make a living, go to Wall Street and trade oil futures ... We're writers. We're doing something that is inherently a generous act. We're exposing ourselves to the muse and to the things that frighten us. Why do that if you're not willing to be generous? And paradoxically, almost ironically, it turns out that the more generous you are, the more money you make. But that's secondary. For me, the privilege of being generous is why I get to do this.

I have a hard time with musicians who act like pricks because it just makes me mad. I just sit there and I go, 'You know what, dude, no matter whether you're in a band just surviving or you're in a bus playing stadiums, one way or another, you're still among the rare breed of people that are actually getting paid to do it.'

I'm very fortunate to have the privilege of working with directors like Bill Condon and Paul Thomas Anderson, who I think is one of the greatest filmmakers of our time.

I've always found it to be a privilege to make movies. It's a really expensive, creative medium. And people allow me to do it, and there are things that I can do as an actor that I couldn't do in any other walk of life.

As artists we have an extraordinary and rare privilege to tell the stories of our people, our land, our culture. They grip us, tear us apart, and put us back together. We are our stories.

I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.

You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.

Men always say there is no female Shakespeare.' 'Humph! You study the fellows who say that, and you'll see they are a long way from being Shakespeares themselves. Why shouldn't women have the same privilege?

In fashion, you're privileged because you're consistently working with a vanguard of youth.

I'm really in such a fortunate position to have that foundation with Hall and Oates that lets me do whatever I want. That's the dream of a lot of creative people, and I don't take it for granted. I try to make the most of it.

I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege.

I just feel like everyone and their mother thinks they can be an artist. You can't. Sorry. I know I was born to be one.

In the nature of things, a person engaged in the flimsy business of expressing himself on paper is dependent on the large general privilege of being heard. Any intimation that this privilege may be revoked throws a writer into panic.

Men can absent themselves from real life for their art more easily. Women are anchored into the quotidian business of getting food on the table, making sure everybody's socks match, the soccer gear is ready. I admire idealists, but they're usually enabled by someone who holds the tether on their balloon, who pays the bills and sweeps up after them.

I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.

The one thing about being a creator, about being an artist, is that you get to explore your ideas. We're fortunate that we're in the position to do that, and I don't take it for granted.

I write fast. I'm one of the lucky ones.

The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.

The only sensible way to regard the art life is that it is a privilege you are willing to pay for... You may cite honors and attentions and even money paid, but I would have you note that these were paid a long time after the creator had gone through his struggles.

It's a real privilege to make movies.

I often envy a filmmaker or a playwright or an author where people are like, "Yeah, I sat down every night and read your book and it was beautiful." Or, "Yeah, I went to the movies and all I did was watch the movie because that's all you could do at the movies." Where with music, it's like, "Ugh, I love your music. I listen to it while I'm jogging thinking about how I hate my body." But it is also the privilege of being a musician is you can have your music in this documented form and play it live and that's, I think, what draws me to it the most.

The infirmities of genius are often mistaken for its privileges.