Creative Discussions Quotes

I never got close to the creative in AWA; not only was I not close to it, I wasn't allowed to be in a room close to it when they were talking about creative. That is how tightly held Verne Gagne believed in kayfabing people who he didn't believe needed to be in the process.

Dad has been my guiding force. Whenever I am confused about choosing a script, I discuss it with him. However, I have said 'no' to scripts he agreed to, while he has said 'yes,' too, for scripts I have turned down. We have this mutual understanding that works between us.

I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.

My first-ever meeting with Abbas-Mustan sir was for three-four hours! I haven't met anybody for so long, even those who I know well.

The first time you find yourself having a conversation about moss stitch with a group of people who aren't desperately trying to escape you ... it's like coming home.

I tell my friends about my conversations with my father - conversations with an artist.

I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level.

Both my mom and my dad have always included me in intelligent conversations about people, about characters, about how people work. My dad and my mom still read all scripts that I find interesting. I send them an e-mail, and I'm like, 'Okay, I have my eye on this,' or whatever.