Up until the final decade of the nineteenth century, the United States and the United Kingdom did not recognize copyright in each other's creative works.
It was not possible to broadcast any of that because of an agreement between Jackson and the family. Our legal advice was that we could not broadcast it.
If the contest for an international copyright is to be managed like the annual pig-iron conflict, or the wool fight, ending in a compromise by which every interest gets a certain amount of protection at the expense of the public, it will certainly be of little service either to England, America, or humanity at large. What is needed is a legal protection for property in ideas; in other words, an authors' copyright.
Getting agreement of different nations on copyright protection has always been a problem.
When I signed the license, I thought the media wasn't going to pick up on it if I used my real name, Nicholai Hilton.
I'm a co-writer, publisher of that song ["Right Now" ], so for it to get accepted, we had to sign off on it. I signed off in a second. "You bet that anyone can use this. I don't care. You can use it for anything." If it is to inspire people in the positive sense.
It's very hard to get one publisher to accept an author going over to the other author's company to collaborate.
If I were to agree to write the music for your beautiful poem, it would tie your poem up for some years as I have agreements and obligations which I must respect.
A couple of weeks after that, Zebra Books phoned with an offer, and I accepted.