Comic Tragedy Quotes

Absurdity is what I like most in life, and there's humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.

We're taking part in a divine comedy and we should realise that the play is always a comedy, in that we're all ultimately ridiculous.

'I, Malvolio' is a very, very funny show, a clown show, but there is Beckettian darkness in the character. Some real darkness, some right close to the edge of despair moments.

There's nothing grimmer than the tragedy that wears a comic mask.

I think the premise of somebody trying to recreate a night from their teenage years stuck with me as something potentially very tragically comic.

God writes a lot of comedy... the trouble is, he's stuck with so many bad actors who don't know how to play funny.

I've always loved absurdism and plays of that genre. I think that my humour is very much rooted in theatre and drama.

... Baggott enjoys living on the knife edge between hilarity and heartbreak and that makes her a writer after my own heart.

I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.

In my standup work, I always do these characters, older people who are just off to the side. It's easier to write a story about the guy who made it to the top, but the middle is so much more interesting, so much more murky.

Nothing is funnier than unhappiness, I grant you that… Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.

[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.

My first two novels were very black comedies.

Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.

In my mind, if you write a comedy where human beings experience pain, you're just being realistic.

The animals that depend on instinct have an inherent knowledge of the laws of economics and of how to apply them; Man, with his powers of reason, has reduced economics to the level of a farce which is at once funnier and more tragic than Tobacco Road.

If a song about blowing your shot becomes popular, that's really funny.

Comedy characters that take themselves very seriously, but are actually fools, is so funny.