Comic Book Mythology Quotes

It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.

MARVEL IS A CORNUCOPIA OF FANTASY, A WILD IDEA , A SWASHBUCKLING ATTITUDE , AN ESCAPE FROM THE HUMDRUM AND PROSAIC. IT'S A SERENDIPITOUS FEAST FOR THE MIND, THE EYE , AND THE IMAGINATION, A LITERATE CELEBRATION OF UNBRIDLED CREATIVITY, COUPLED WITH A TOUCH OF REBELLION AND AN INSOLENT DESIRE TO SPIT IN THE EYE OF THE DRAGON.

The end of the story of Batman is he's dead. Because, in the end, the Batman dies. What else am I going to do? Retire and play golf? It doesn't work that way. It can't. I fight until I drop. And one day, I will drop.

The original series of Watchmen is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC's reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire.

The difference between 'Watchmen' and a normal comic book is this: With 'Batman's Gotham City,' you are transported to another world where that superhero makes sense; 'Watchmen' comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.

My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.

When I grew up reading comics, the part in the Marvel universe that was so exciting was that you could have a battle going on in 'Iron Man' and then, suddenly, Thor would fly overhead, and you realized, 'Oh, it's all one place.'

I think any writer coming on to 'Batman' should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.

With 'Luke Cage,' we all, as a collective wanted to tell the truest story that we could but, at the same time, also be very true to the comic book genre.

The Marvel universe is a deep, weird, woolly place, and getting to expose strange corners of it is part of the fun of 'She-Hulk.' Honestly, it's part of the fun of any Marvel book.

With 'Invincible', I wanted to create my own version of the Marvel or DC universe, with my own heroes and villains.

I can say pretty confidently that I am not the right guy to do a superhero movie, just because I was not a comic book kid. I don't know that mythology, and I don't have it ingrained in me in the way that a lot of these other directors do.

There are so many things we have not seen in 'Spider-Man' yet... I want to use bad guys never seen in movies. The first films were so traditional and so scrupulously followed the character's classic plot... So there's a lot of stuff left in stock. 'The Clone Saga,' for example.

Between 'Avengers,' 'JLA/Avengers,' and 'Trinity,' I've gotten down and dirty in the big universes and had a hell of a time playing in those sandboxes.

One thing I've learned about the Marvel universe is that it's a little bit like God... if you want to make him laugh, just make a plan.

I have some shorter stories coming out in other books early next year. I might be pitching a re-vamp of Ghost Rider in the spring. We'll see.

In 'Black Panther,' I tried to preserve virtually all versions and interpretations of 'Black Panther' - including the Jack Kirby one, which was really tough to do - and make it work within current continuity.

In the beginning Marvel created the Bullpen and the Style. And the Bullpen was without form, and void; and darkness was upon the face of the Artists. And the Spirit of Marvel said, Let there be The Fantasic Four. And there was The Fantasic Four. And Marvel saw The Fantasic Four. And it was good.

When you write for a comic series, many superheroes have 60 or some years of history that you are coming into.

Anytime you start doing a comic book with mythology attached, people are like, "Are you going to get it right? It's important to me."

'Original Sin' is one of those ideas that has been circulating for several years at the Marvel retreats we have a couple times a year. We have all these ideas floating around for a bit before we figure out how to align them.

The more films we make the more we get to deal with those pre-existing relationships. But when it comes to a movie like Ant-Man or Guardians or certainly Doctor Strange, it's just bringing to life stuff that's already been there in the comics and we finally get a chance to do it on the big screen.

The primary goal for me in doing a superhero series is to make it new-reader-friendly, so it might not be front-loaded with all this history, but you can be sure it will show up!