Obviously making Peter Parker suddenly bisexual or gay wouldn't really make logical or dramatic sense. It was a hypothetical kind of question about the nature of these comic book characters and the nature of this particular character, and whether sexuality, race, any of those things makes any difference to the character of Peter Parker.
My one criticism of Vertigo Crime to date is that it's been a boys' club, reveling in violence that, while entertainingly lurid, lacks depth. Of course, the comics world is deliberately double-dimensional - and shouldn't apologize for being so.
In comics, there are depths that don't reveal themselves immediately, and the stuff that you might consider anal about 'Watching the Watchmen' - like the notes where I plot the rotation of a perfume bottle through the air - might not be particularly obvious to anyone who reads it.
I didn't read many comics as a kid - I've always been a really fast reader, and I would fly through a comic book in a few minutes and be so mad that it ended so quickly. But now that I've been in the business, I tend to look at the panels so much more carefully, and realize that so much of it is about the art; I don't think I got that before.
People are like, 'Are Nimona and Ballister romantic?' And I'm like, 'No! Of course not.' 'Well, are Ballister and Goldenloin in a relationship?' And I'm like, 'Yeah, okay.'
I don't really dissect comedy. Nothing kills off humor more than overanalyzing it.
One of my favorite comics is 'Love and Rockets' by the Hernandez Brothers. They do such a wonderful job of showing you how the character of Maggie ages and really doesn't present that with any kind of judgment.
Everything you see that makes you think about the comics, I think you should read into it.
Although I'm certainly glad cartoons are finally getting some respect as an art, I'm fairly ambivalent to see cartooning as a legitimate academic offering. If comics need to be deconstructed and explained, something is really wrong with them.
The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.
I always wanted to write about comics and I have written little things here and there but I am not confident in my writing.
Everybody that loves Nancy loves it in a slightly condescending way. Nancy is comics reduced to their most elemental level.
One of the things about comics is people can linger on images and words as long as they want.
When you hang around a lot of comedians long enough, you realize there's a certain gene, in every comedian. It's why we get hyper-analytical about things.
I had a lot of ideas on how comics worked and pretty early on I had this idea that it would be fun to explain them in comics form.
Read comics. All comics. And then cut them open to steal their power.
