The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision.
I've never read 'The Lion, The Witch And The Wardrobe,' but his later works are about whether God is real.
I try to produce music that is life-giving and inspires people to hope, but it isn't just for the super-religious. I want to address themes that people who aren't Christian can appreciate.
I'd say that 'Tree of Life' is not a Christian so much as a spiritual film.
I don't have to listen to the Gospel on Sunday to know the stories of the New Testament. They inform so much of what I write that they're practically like a news scrim that goes through my brain 24/7.
You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.
I can't get very far away from Christianity, I can't get very far away from the angels and the saints. I work them in always, in some way.
I love 'Jesus Christ Superstar.'
So, I subscribe to the following reading: Star Wars is an essentially Christian tale.
One remarkable feature of the devotional masters is the incredible sense of uniform witness in the midst of such diverse personalities... and the necessity of Christian simplicity is one of their most consistent themes.
Great works - and I think Star Wars is a great work - are easily susceptible to multiple plausible interpretations. Some of them are pretty nutty, but the idea that we should see it as profoundly feminist, or as a deeply Christian tale, or as a Freudian exercise... I think all of those have some truth.
Christian audiences, I think, have grown very tired of movies that try to pander to them.
At one time in my career, Barnes and Noble bookstores categorized my books as religious fiction.
At the bottom of a Peretti novel is the biblical view of things, the Christian message. Whether you're a Christian or not, you're still going to have to deal with good versus evil.
If the goal of an actor is to tell the best story ever, there's no higher story than Jesus Christ.
Matthew loved the magi. He gave their story more square inches of text than he gave the narrative of the birth of Jesus. He never mentions the shepherds or the manger, but he didn't want us to miss the star and the seekers. It's easy to see why. Their story is our story.
It's not just what Christian fiction lacks I appreciate - it's what it offers. The variety is vast: contemporary, historical, suspense, mysteries, adventure, young adult, romance, fantasy, science fiction.
There just aren't that many Jesus roles around.
In almost all my work, I try to re-invent Christian images and stories and themes. You'd be amazed by the letters I get from young Christians who recognise this and enjoy it.
