'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
You think of movies like 'Midnight Run' and '48 Hours', those are great movies, especially 'Midnight Run.'
I'm really excited about producing my first feature, 'Boone the Bounty Hunter.' Boone is a bounty hunter that does parkour to catch skips.
You'll go see a movie like 'Matrix 2,' and the car chase goes on and on and on and on. They had all the money in the world and all the time in the world. It doesn't make it an any better action sequence.
I never thought I would say this, but I'm desperate to do an action film.
My novels are about the European reality, not about chases. You want chases, get somebody else's books.
So then I started doing a lot of episodic TV, just car chases or helicopter chases or whatever.
It's the demand of all demands to do a car chase that's unique because there are so many... really since the beginning of film, even in the silent era, 'The Keystone Cops.'
I always loved Ponch, man. It was so much fun to be him, to put on my duds and get on that bike and bust the bad guys and help out the kids. And get the babes.
Chase scenes normally just have to be exciting and, you know, not a lot of emotion you need to go through. It's just about getting from A to B with as much excitement as you can.
The pursuit system is an ideal way to shoot action sequences. It enhances the picturisation and captures the scene so well that the audience can feel the thrilling speed of the chase sequence in the film. 'Dhoom 3' is the first Hindi film to use this technique.
I'm looking to do an action film where I can run with my shirt off and a gun in my hand; and do like a 'Taken' role and get up on one knee and kill the bad guy.
I'm in a Road Runner cartoon, Sinclair. And I'm the coyote.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
I had to learn how to drive a cement truck because there is a whole car chase with cement trucks, so I had to learn how to drive a cement truck. I don't like these things, but I'm not an idiot. I can do it.
I have never considered doing action films.
I think the physical comedy in action sequences is fantastic. Like, '21 Jump Street' did a great job with that.
I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional.
None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.
