I'm not the kind of actor that would know what my character had for breakfast last Tuesday.
Don't set pen to paper until you know your main characters inside out. Create files detailing their appearances, likes, dislikes, and personal background. You may not use all the information, but it is a crucial step in planning your story.
One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
I treat all my characters as if they were real, and I am scrupulous about the details of their lives.
When we don't have all the details about our characters, we have to make it up to fill in all the details. So, for me, writing and acting go hand in hand.
What makes characters real are details, and if you're crafting a person from scratch, you're probably not going to pay as much attention to a question like, 'Does this person bite their nails?'
I've played a lot of people where someone will say, 'This is based on my sister, and such and such happened.' But I don't think I ever played someone who, 'This is their name, and this is their address, and this is what they looked like.'
I've got to write about my character every day. I've got to find out where he lives, what bus he catches to school, and stuff like that. You've got to know every little thing about him so when you do it, it feels natural.
Although I'm very lazy when it comes to writing, I'm not that lazy when it comes to thinking. I like to develop the plan of a short story, then cut it as short as possible, try to evolve all the necessary details. I know far more about the characters than what actually comes out of the writing.
My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.
This may sound strange, but although I feel like I know everything about my characters, the brand of shampoo they use, how many cavities they have, their greatest fear, I don't actually see their faces.
I mean every character you totally, you know, the full fiber of the personality is kept in the film, and all of those little moments, all those funny little tidbits are all in there.
The beauty of performance for me is finding details with which to betray character.
