Light field photography unleashes the power of the light, to forever change how everyone takes and experiences pictures.
I live, therefore I make films. I make film, therefore I live. Life. Movement. I make home movies, therefore I live. I live, therefore I make home movies.
Guinea pigs are quite difficult to draw, I think, because they're so furry.
There's something about light field photography that's just magical.
You can't be pregnant in leotards, and this is the last chance for us to get our bodies into the shape of concert dancers and capture it with the magic of film.
I always work with two cameras. Its kind of like I'm hypnotizing the subject with the flashing. It's a bombardment of action, flashes, and I think it helps them to ease into the process.
I think the first photograph I did was a ballplayer. It was a way of showing action or something.
I'm a street photographer, but I'm interested in any ironic, whimsical images, and there's something very romantic about a circus.
I look at the camera as sort of a missing link between motion picture photography and still photography.
Editorial photography has to be energetic and visually competitive.
