I would like to be in a really big, successful film - boffo, spectacular, $500 million!
When I did 'Shaft', I was so happy to be working and to have been a star of a major motion picture, I had no idea or concept of where it was going to go, and it turned out to be this huge film. That was the icing on the cake.
Controversies are part and parcel of making a big film.
'Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity.
'Crouching Tiger, Hidden Dragon' is not a direct-to-video, low-budget sequel: it's a big film. And it'd be fantastic to have the opportunity to see it on the IMAX screens at the same time, and IMAX has made arrangements with us for that to happen.
When they're good, there is nothing like a big film.
Being horrible in a big film is a quicker nosedive than doing an obscure film and making no money.
I am very excited for my special appearance in 'Kalank,' since it's a huge film and it's the first time I am doing something in the period space.
Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling.
Sometimes I feel indie directors are in the game so they can make a film to get hired to do a big film - that we're all doing this person's reel.
'Die Hard' was a really awesome experience, but I was too young to understand what a big film it was.
I would like to sing the theme tune of a big film - something like 'Titanic.'
Hobson's Choice' may have been in black and white, but it was a David Lean production filmed at Shepperton with Charles Laughton in the lead. So it was a big film - and it felt like it.
