Beat Literature Quotes

I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.

I read On the Road in maybe 1959. It changed my life like it changed everyone else's.

I think there are some writers - like, if you read Kerouac, I think you probably need to take a little break before you sit down to the typewriter because he's the type of writer whose voice infects you.

I read a lot of science fiction, and it's ingrained, in a certain way, and I've been very involved with Kerouac and the Beats, but before that, it was a lot of science fiction.

I used to think of that line in Allen Ginsberg's 'Howl', about the 'sad cup of coffee'.. ..I have had cold coffee and hot coffee and lousy coffee, But I've never had a sad cup of coffee.

Pulver's skills as a post-Beat visionary are in rare form. A House of Hollow Wounds is a thrilling foray into the dark frontier of the weird.

I didn't dictate sections of 'Visions of Cody'. I typed up a segment of taped conversation with Neal Cassady, or Cody, talking about his early adventures in L.A. It's four chapters.

It's a completely powerful and serious book, as good as anything in prose or poetry written by a 'beat' writer, and one of the most alive books written by any American for years. I don't see how it could be considered immoral.

If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.

My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.

Traveling to Europe and traveling in the U.S.A. was a much different experience. 'On the Road' exemplified everything glamorous that was happening on this side of the planet. The book puts off some kind of sweet melody - part hope for the world, part nostalgic.

People such as Hunter S. Thompson and the Beats were a huge influence on me, not just in what they were saying, but how they said it.

I recommend for any basic course on the Beat Generation to familiarize yourself with 'The Idiot,' Prince Myshkin. He was Dostoyevsky's idea of the most beautiful human being he could imagine, the creation of a saint in literature.

I used to take 'Visions of Cody' by Jack Kerouac on tour all the time. I don't really love Kerouac, but that book, you could just open at any page and find something incredible for that day.

I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.

As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.

I was studying Tibetan Buddhism when I was quite young, again influenced by Kerouac.

See, the 'On the Road' that came out in 1957 was censored. A lot of the honesty of it, the bitter honesty, is in the original scroll version that came out in 2007 on the 50-year anniversary. Back then, there was so much post-Second World War fear that was imposed on everybody - 'You must live life this way' - and these guys were bored.