author's mindset Quotes

When people say they write for themselves, that's probably what they do. I will admit that I don't write for myself; I write to be read. I've got the reader in my mind all the time.

When you write fiction, you have an ideal reader in your mind who's sort of you but smarter.

Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.

I always want to write something better than the last book.

You just have to sit down and write the next book. I mean, it's not all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book.

I think most writers will say that at the start of each book they think, 'I'm not sure I can do this.' But eventually, you reach a magical point where the story suddenly becomes real to you, and you become totally invested in it.

For me, the whole process involves envisioning this book in my head as I'm working.

I don't think in terms of optimism and pessimism when writing a story. I am telling a story.

For me, the process of writing a novel happens mostly in your head before you actually start writing.

When I'm writing in my bedroom, in a bar, at my kitchen table or wherever, I'm conjuring it all up on the page. That's all well and good, but it is going to be a limited perspective at that point and time. Occasionally, what I write might read really well initially, but then you change your mind while hunting for locations when you discover settings which offer even better opportunities for drama or dramatic staging.

If you don't have obsessions, don't write. my characters are obsessed.

When I am writing, I'm very much on the ground, on the same ground my characters are treading.

With the first novel, I had to tell myself, 'No one is ever going to read it, so you might as well just write it.' With the second, I was pretty sure someone was going to read it.

In order to write novels for a living - it's not pathological, but I do think and worry and brood and fidget about stuff that I'm working on.

Writing [for the novelist] is not an activity, but a condition. That is why one simply can't resume the work when one has a job and a free half-day. Reading is the conveyance of this condition.

Most of my books are a two-year project. I tend to follow my heart and my mind and research materials where they take me.

I'm not one of these writers who says, 'Oh yes, the next book is due out in one year and three days.' I just say, 'You're gonna get it when it's done. It's gonna be good, but you're not going to get it until it is good.'

Reading isn't about managing expectations. In certain ways, writing is. You're trying to send signals early in a book about what might be coming later, but I think worrying about the kind of chatter around a book is something I try and stay as far away from when I'm reading.

It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.

Whenever I finish a book, I start with a blank slate and never have ideas lined up.

The writer must be four people: 1) The nut, the obsede 2) The moron 3) The stylist 4) The critic. 1 supplies the material; 2 lets it come out; 3 is taste; 4 is intelligence.

Don't force yourself to write. Some people can write a novel in a few months, whereas for others it can take over a year. I'm lucky to be one of the former - but, even so, if I'm not in the mood to write, I won't. I'll go off, do something else and come back to it when I'm ready.

The goal is to be both disciplined and loose, so that the writing does not turn into a task or a chore. To leave myself behind, along with the mechanics, and disappear into the lives of my characters.

While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.

Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.