I auditioned nine times for 'Delhi Belly,' and it was torturous!
I didn't want to be 50 or 60 and auditioning for a three-line role.
Auditions are just torture. I'm trying to get better at it. It's a very difficult thing to do. You go into a tiny room with a camera with somebody who is doing this with 100 other people, and they're so bored, and then you have to be like, 'Hey! I'm gonna show you what I got!'
For me when I go in and audition for things, I just let them go as soon as I leave. I can 't take them home with me. That's something that my mom actually taught my sister and me from the time we were kids.
I went to school to be an actor in Canada and realized I hated auditions once I left, which is a huge problem if you want to get a part.
I've never suffered stage fright. That fascinates people.
I remember my mom being very scared the first few auditions. My parents are very supportive, but they're also very realistic, which is great.
There's always very high tension with dance auditions! You're in a group, watching the people in the front of the room, hoping you'll get something, anything that will relieve a bit of the stress.
I think I do have a way of predicting - not always accurately - what is a nerve-wracking day for actors, what may be a difficult scene or a difficult moment, how small - and it may be down to one line - a thing maybe that is upsetting or undermining a performance.
It's stressful to keep doing audition after audition after audition. You finish one and go to the next one, and you have to learn lines. For me, I have to work on my accent, so I was getting accent coaching and acting coaching. I wanted to make good impressions.
I can't emphasize the immediate panic that would set in when I had to audition. I can't believe I did it.
Pilot season tends to be grueling, because you can be thrown all of these auditions at once - last-minute, always - and you're going on three a day, especially back in the day.
If I had any advice to give people, it would be to relax; never treat an audition like an emergency. There will be plenty more in your career. If you think you messed up, you probably didn't. And if you did mess up, it's not the end of the world.
There are days when you are busy even without having work as you are going for auditions. So you are not acting in a way. To sustain yourself mentally, physically, emotionally is challenging for sure.
For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
What's comforting about coming from a family of actors is I don't have to explain the struggle. I can just sigh to my sister, 'I had a bad one,' and she'll know exactly the profound audition humiliation I am describing.
On the day of the audition for 'Sullivan and Son,' I had three other auditions all around Los Angeles. It was so hectic. I remember changing in my car before I went in to read.
Auditioning for people you know is way more stressful than auditioning for people you don't know. And you have to pretend that you don't know because they're just staring at you.
If an actor ever says they really enjoy the auditioning process, I truly believe that they're lying. It's an anxiety-filled waking nightmare. It's awful.
I'm a big girl, but I have a delicate constitution emotionally. If I've been humiliated in some audition, I just cry all the way home and think, 'Oh my God, I suck.'
I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore.
The more you love something, the worse you tend to audition. If you don't really care about something, you kind of nail it.
It's hard to do things like auditions, because you don't want to put weeks of work into just an audition.
Some of the most cutthroat auditions you'll have as an actor are when you'll have three words to say.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
