A building has integrity, just as a man and just as seldom! It must be true to its own idea, have its own form, and serve its own purpose!
It is for all these buildings, therefore, of all times and styles, that we plead, and call upon those who have to deal with them to put Protection in the place of Restoration, to stave off decay by daily care, to prop a perilous wall or mend a leaky roof by such means as are obviously meant for support or covering, and show no pretence of other art, and otherwise to resist all tampering with either the fabric or ornament of the building as it stands; if it has become inconvenient for its present use, to raise another building rather than alter or enlarge the old one; in fine to treat our ancient buildings as monuments of a bygone art, created by bygone manners, that modern art cannot meddle with without destroying.
This is one of the first organized efforts for the historical preservation of old buildings.
A house can have integrity, just like a person.
Not many architects have the luxury to reject significant things.
in architecture, mediocrity is more glaringly obvious than in other lines - because there's a huge, physical object such as a building to demonstrate it.
The truthfulness of materials of constructions, concrete, bricks and stone, shall be maintained in all buildings constructed or to be constructed. The seed of Chandigarh is well sown. It is for the citizens to see that the tree flourishes.
I have an admiration, even though I'm not likely to do that sort of thing myself, for [Ayn] Roark's behavior when he decided that his design was not being followed - which was a gross violation, by the way, of private property rights, because the building was his.
Always beware an unsigned architectural design.
I hope you will understand that architecture has nothing to do with the inventions of forms. It is not a playground for children, young or old. Architecture is the real battleground of the spirit.
My weakness ... is architecture. I think of my work as ephemeral architecture, dedicated to the beauty of the female body.
You need a prince to make a town in an intellectual sense. Developers want to make money. If they cared about architecture, they'd become architects. I've had so many projects that never came off because they had no sponsor, and not because they were utopian. I just want to build a town that's normal.
I try to shut out ideas about why you should do things. Trying to do good architecture and really designing a career? There's some attention to be paid to that, but I don't think it's everything.
Toohey: "Mr. Roark, we're alone here. Why don't you tell me what you think of me? In any words you wish. No one will hear us." Roark: "But I don't think of you.
I personally felt that his ad hominen attacks on British architects were not the sort of thing a Prince of Wales should be doing because, apart from anything else, they put various people out of business.
I may not be the most interesting architect, but I'm still out there and have maintained some position of integrity.
You don't let a historic site rot.
I wouldn't build a building if it wasn't of interest to me as a potential work of art. Why should I?
The bottom line for mathematicians is that the architecture has to be right. In all the mathematics that I did, the essential point was to find the right architecture. It's like building a bridge. Once the main lines of the structure are right, then the details miraculously fit. The problem is the overall design.
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
Both my father and I remodeled our homes but were quite careful about preserving the history and unique character of the community.
Are not the worst examples of architecture to be found in private enterprise in cheap jerry-built homes?
And a building must be like a human being. It must have a wholeness about it, something that is very important.
It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect.
Nothing is as dangerous in architecture as dealing with separated problems. If we split life into separated problems we split the possibilities to make good building art.
If the design of the building be originally bad, the only virtue it can ever possess will be signs of antiquity.