It's so cool though when I see thirty-year-old men that are coming in to watch my shows. It's like, 'You really like my music? Like a teenage girl, you relate to it?' It just proves how much people are alike.
I always was a fan of Alice Cooper's, but I got a new appreciation for his music playing in his band. It's really amazing to see how his music transcends age.
Authentic architecture is not the incarnation of the spirit of the age but of the spirit, full stop.
When I sit down to write a song, I really want the message of healing to thrive and transcend all ages.
When I did a study of all the coming-of-age movies that meant a lot to me, whether it was 'The Graduate' or 'Rebel Without a Cause' or 'Dead Poet's Society,' they all had that timeless feel. None of them were completely married to the details of their age. They felt timeless in their treatment of it. That's what made them resonate with me.
I strive to use references that may still make some kind of sense once our age has passed into history. That robs my writing of a certain connectedness to my time, but potentially might allow it to make sense to people who are not in this time.
Playing SpongeBob is freeing. There is something intrinsically about him that people identify with no matter their age.
On the whole, age comes more gently to those who have some doorway into an abstract world-art, or philosophy, or learning-regions where the years are scarcely noticed and the young and old can meet in a pale truthful light.
