Louise Berliawsky Nevelson Quotes

When you put yourself out there, you're putting yourself in the position to make a mistake.

To write something, you have to risk making a fool of yourself.

Acting is an uncomfortable business because you have to make yourself vulnerable.

There's a lot of risk in putting what you suspect you really are into your music.

Accept that all of us can be hurt, that all of us can and surely will at times fail. Other vulnerabilities, like being embarrassed or risking love, can be terrifying, too. I think we should follow a simple rule: if we can take the worst, take the risk.

In retrospect, I'm really shocked at how far I put my heart out there on the line with 'Prima Donna'. I seem to have this knack for being able to accomplish that.

Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.

Falling in love-you should go with it, regardless of whether or not your heart gets smashed. You'll be a better person.

This is the problem with the world today: Nobody wants to take risks, to risk being themselves.

It felt like a huge risk when I first started putting my comic online. It was very scary to put myself out there that way and to open up something that I cared about very dearly - and to be the only creator involved with it.

It's always been a mantra to me, when making music or creating art, that you have to be vulnerable.

It would break my heart to lose playing safe.

The secret of the creative life is how to feel at ease with your own embarrassment. We're all in the dirty laundry business and we're being paid to take risks and look silly. Race car drivers get paid to risk their lives in a more concrete way; we get paid to risk our lives in an emotional way.

Ignorantly is how we all fall in love; for it is a kind of fall. Closing our eyes, we leap from that cliff in hope of a soft landing. Nor is it always soft; but still, without that leap nobody comes to life.

I know that it feels dangerous and scary and working without a net, so to speak. And working without a net, for me - maybe other women do it a totally different way - means being vanity-free. That's how, as an artist, I know that I need to work.

Most people don't know what they want or feel. And for everyone, myself included, It's very difficult to say what you mean when what you mean is painful. The most difficult thing in the world is to reveal yourself, to express what you have to... As an artist, I feel that we must try many things - but above all, we must dare to fail. You must have the courage to be bad - to be willing to risk everything to really express it all.

We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.

It is not merely enough to love literature if one wishes to spend one's life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possiblity of learning a truth about oneself that is too terrible to bear.

It's harder to put yourself in a place where you could easily be seen as a fake. But that's more interesting to me.

The chances we take, knowing no better than to fall or to stand back and hold ourselves in... protecting our hearts with the tightest of grips.

I honestly think vulnerability is a beautiful thing: it's tenderness, authenticity, and risk-taking. It means you're living a life where the stakes are high and you are continuing to push your own boundaries and learn new things. It keeps you flexible and young.

The writer must be in it; he can't be to one side of it, ever. He has to be endangered by it. His own attitudes have to be tested in it. The best work that anybody ever writes is the work that is on the verge of embarrassing himself, always.

I heard this wonderful quote - "Only the brave show what they love." It's so-embarrassing to approach somebody and say you want to look at them. But without that risk taking, nothing can happen, so I have to make myself vulnerable. What I think is the unifying aspect in people that I like is that they have a sense of their own vulnerability, and I respond to that.

It's not brave to do something that doesn't scare you. Performing in sex scenes that I direct, exposing a flash of my weird puffy nipple, those things don't fall into my zone of terror.

There's got to be a moment when that baby [flying] squirrel looks from the end of one branch to the tree six feet away and thinks twice about making a leap. Falling in love is no different; it's the moment that we close our eyes and throw away everything that seems reasonable and hope to God there's someone or something waiting to catch us on the other side.