Tom Sturridge Quotes

I'm so dependent on reacting to the other actors on the set, and to the director. I'm very responsive. I react. And I treasure the energy that reaction gives.

Other than conversation, no other art form can give the satisfaction of spontaneous interaction like Jazz.

Generally I try to be on set as much as possible, especially during the early part of a season. I read all of the outlines and scripts and look at the auditions and the cuts for my other shows and give notes on all of that. There's a lot to do, but I enjoy nothing more than being on set because that's where the magic happens.

For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.

Because I'm CGI, [John Swartz] gave me a role of an Imperial pilot in one scene, so I had a day where I was on camera dressed as a black suit and a little cap that they wear.

A horn of plenty spills from your hands into the starved lives of millions.

I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.

But do not give it to a lawyer's clerk to write, for they use a legal hand that Satan himself will not understand.

Sometimes you just create a joke out of thin air in the editing room. I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.

Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.

There's lots of good movies where you feel that the dialogue could be improvised, but very little was. The "Big Lebowski" was like that where people say "oh, you know, that sounds so..." and we'd always go back and get every man, every ellipses in there the way these guys write it. Because not only is it saying what Michael wants the character to say but the way they all speak kind of creates this tone because it's not exactly real.

I have to give props to my stunt double, who is the real deal and gets to do all the fun stuff and make me look good.

I just put anything on my back. I take what I have on hand.

For 3 Million you could give everyone in Scotland a shovel, and we could dig a hole so deep we could hand her over to Satan in person.

Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.

A well regulated commerce is not, like law, physic, or divinity, to be overstocked with hands; but, on the contrary, flourishes by multitudes, and gives employment to all its professors.

It's easy to be afraid of taking a plunge, because, after all, plunging is dangerous. And the fear is a safe way to do nothing at all. Wading, on the other hand, gets under the radar. It gives you a chance to begin.

I've never really prided myself as being quick on my feet. Maybe you've had the experience where somebody's asked you a question and you give an answer, then later in the day you think, "Oh, I wish I'd said that!" I tend to journal these things and put the answers in sermons.

Acting is the great love of my life. It gives you permission to use all parts of yourself. Permission to be the hero, the love interest, the comedian, the villain. Transformation excites me. So does truth. Nothing is more thrilling, hilarious, and tragic than the truth. Those things motivated me to become an actor. Also, they always have the best food on set.

I can give you a better 'and then'," Ranger said.

I always want my mouth to be like two steps ahead of my brain and I want my hands to move without thinking. I want to be able to dive into my computer or use my controllers without having to be, like, "Hmm, what would be a good choice here?" You just want music to happen like the same way the sweat's rolling off my face.

We can neither heal nor build if, on the one hand the rich in our society see the poor as hordes of irritants or if on the other hand the poor sit back, expecting charity. All of us must take responsibility for the upliftment of our conditions, prepared to give our best to the benefit of all

I have donated money to the kids overseas, the open hand project and the homeless.

So, you don't have laughs as a reference point any more, it becomes a bit of a science after that. And the last thing, you would love to be able to depend on a sense of spontaneity, but hours of waiting and then hours of repetition are not conducive to spontaneity so those are your obstacles. On the other hand it's a lot of fun. Plunging into a bit of physical comedy and abandoning all dignity, no one can really hurt you much after you much after that, once you've done it.

The concept that a person who has a lot holds his hand out to someone who has less, or someone who isn't hurting holds his hand out to someone who is, is simply a human trait that has nothing to do with celebrity. I am confounded at the stinginess of some institutions and some people. I'm bewildered by it. You can only put away so much stuff in your closet.