Lydia Hearst Quotes

I have always worked a bit with fashion people. I worked with Issey Miyake for a while, then Dolce & Gabbana; now we're working with Valentino. It's fine. The fashion world is a fairly weird world, but there are good people in it. It's weird because their timetables are unbearable.

When I started in 1992, I really thought the 'Vogue' fashion department was one of the most frightening places on the planet.

I always look at Style.com and look at all the designers and I know all the model's names.

A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.

Fashion is a completely international business.

For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.

Fashion anticipates.

I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.

'Vogue' is a fashion magazine, and a fashion magazine is about change.

I've worked as an E! News correspondent covering New York Fashion Week and have appeared on several fashion shows and online sites.

I have no idea what's going on in the fashion industry.

The fashion industry, like others, is constantly changing.

In the late Fifties and early Sixties, I used to think that most of these fashion creators weren't that great, and if the photograph was good, it was mostly thanks to the photographer.

Modeling for a year taught me a lot. I got very involved in the fashion industry and met a bunch of people who I admired.

I enjoy different designers for different seasons and what they bring to it each and every season.

In fashion we're lucky, we make dreams come true.

For a lot of people, it's a massive deal to be on the front row at Fashion Week and look perfect. I don't go to be seen; I go to look at the collections and support my friends, like Henry, Giles and Jonathan Saunders. As much as I love clothes and shopping, it doesn't drive me.

There's nothing wrong with being a fashion photographer, but it's a bit limited.

I have had the privilege of working with the best in the business, from photographers to designers to magazines. There's not much more to ask for but I'm still looking forward to one day working with photographers Mert and Marcus, Tim Walker and Nick Knight.

I enjoy seeing how my friends - Proenza Schouler, Zac Posen, Rodarte - use clothes to create their vision and art.

Fashion Week is horrible. I mean, it isn't horrible, really - it's amazing. But having to work that much every day is.

Fashion is really a place where every other industry connects, whether it's music or acting. At the end of the day, everyone is going to walk the red carpet and be interested in the fashion side of it. I think that's really cool because as a model, you get to connect with a lot of different worlds.

I used to go to a lot of Pam Hogg shows. The thing about London Fashion Week is that, generally, we're on tour and traveling around, so it's very rare that I actually catch it. I like to go to Burberry because I know a few girls who work there. I kind of follow friends.

In the last couple of years, fashion's gotten a lot safer. People are really pulling back.

I'm not sure what I think about current fashion, though. A few years ago, I would have said it's really, really bad and you hardly ever see anybody looking good. There must be some very good designers in the world.