Gabrielle Zevin Quotes

I don't even remember the season. I just remember walking between them and feeling for the first time that I belonged somewhere.

Construed as turf, home just seems a provisional claim, a designation you make upon a place, not one it makes on you. A certain set of buildings, a glimpsed, smudged window-view across a schoolyard, a musty aroma sniffed behind a garage when you were a child, all of which come crowding in upon your latter-day senses -- those are pungent things and vivid, even consoling. But to me they are also inert and nostalgic and unlikely to connect you to the real, to that essence art can sometimes achieve, which is permanence.

There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.' '...yes, I remember that occasion. I still think about it from time to time.' 'That's funny, so do I.

The thinnest slice would be teeming with memories of a love so strong it turned you inside out and left you gasping, and would be an identical match to a slice stored in the heart of a soul mate.

Like the morning you walked out of that old house, when you were eighteen and I was, well, I had just turned nineteen, hadn't I? I was a nineteen-year-old and I was in love with Louis and I was in love with you, and I thought I had never seen anything so beautiful as the sight of you walking out a glass door in the early morning, still sleepy, in your underwear. Isn't it strange?

It wasn't that long, and it certainly wasn't the kind of kiss you see in movies these days, but it was wonderful in its own way, and all I can remember about the moment is that when our lips touched, I knew the memory would last forever.

She went out and took a last long look at the shabby little library. She knew she would never see it again. Eyes changed after they looked at new things. If in the years to be she were to come back, her new eyes might make everything seem different from the way she saw it now. The way it was now was the way she wanted to remember it.

The flesh of past lovers looks both familiar and strange.

You can feel that he wants to own you - not like an object but like a good dream he wants to keep having. He lets you know that you already own him.

Everyone we've lost, we'll find. Or they'll find us.

I have a thousand images of you in an hour; all different and all coming back to the same. I think of you once against a sky line: and on the hill that Sunday morning. The light and the shadow and quietness and the rain and the wood. And you. Your arms and lips and hair and shoulders and voice - you.

His desperation and misery swept her up like a storm capturing the sea. She turned her mind to even these feelings, because they were his, like his terrified rage in the lift when they had first met, being wrapped in his arms in the cold well, being dazzled by his wonder at the woods and her home and her. Like being a child, awareness of him the morning chorus that woke her and the lullaby that sent her to sleep, his thoughts always her first and last song.I love you, Kami told him, and cut.

Home is so sad. It stays as it was left, / Shaped to the comfort of the last to go / As if to win them back

The opposite of Loneliness is not Togetherness , It's Intimacy.

There are two kinds of people in this world: those who know where their high school yearbook is and those who do not.

I miss him already. He was a unique person and a dear friend. If a record came on the radio, you'd know it was Waylon Jennings.

Looking into another person's eyes for an extended period of time proved to be a powerful thing. And if you don't believe me, try it yourself.

She draws patterns on my face / These lines make shapes that can’t replace / the version of me that I hold inside / when lying with you, lying with you, lying with you.

There was something almost painful about that, the intensity of being so vulnerable and so intimate with him.

I love all things, not because they are passionate or sweet-smelling but because, I don't know, because this ocean is yours, and mine: these buttons and wheels and little forgotten treasures, fans upon whose feathers love has scattered its blossoms, glasses, knives and scissors -- all bear the trace of someone's fingers on their handle or surface, the trace of a distant hand lost in the depths of forgetfulness.

And for an instant he would remember Naples: sitting with Sasha in her tiny room; the jolt of surprise and delight he'd felt when the sun finally dropped into the center of her window and was captured inside her circle of wire. Now he turned to her, grinning. Her hair and face were aflame with orange light. "See," Sasha muttered, eyeing the sun. "It's mine.

Peeling off my skin / leaving just my eyes behind / You see inside my head / Still know that you are mine.

I don't know what I'd do without you. There's no one else to look after me. And it's not just that. I sometimes think you're the only person who really knows me. I only feel normal when I'm with you.

I was in the air around him. I was in the cold mornings he had now. I was in the quiet time he spent alone. I was the girl he had chosen to kiss. He wanted, somehow to set me free. -Susie Salmon

I thought I would love you forever—and, a little, I may, in the way I still move toward a crate, knees bent, or reach for a man: as one might stretch for the three or four fruit that lie in the sun at the top of the tree; too ripe for any moment but this, they open their skin at first touch, yielding sweetness, sweetness and heat, and in me, each time since, the answering yes.