Agyness Deyn Quotes

I still get butterflies when I'm doing a runway show. The music starts, you're wearing these gorgeous clothes and your nervous about your high heels, if your shoes are going to break, if your going to slip or do something wrong.

Anyone who tells you they're not nervous playing on the CMAs stage, I'm afraid they're not telling you the whole story.

It's funny, though, because when I first started going to races after we met, I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone, so I was really hesitant.

I still get butterflies when I'm doing a runway show. The music starts, you're wearing these gorgeous clothes and your nervous about your high heels, if your shoes are going to break, if your going to slip or do something wrong.

I used to get nervous just going to the stage door, seeing people waiting to talk to me. I was afraid of being caught out in some way or not being right.

Oh my gosh, I was so nervous at Wrestlemania when I debuted. I never had a live match ever. I'd had practice matches, but a practice match in front of no one is very different from a real match.

I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.

I do whatever comes my way. But I get burned out on stage. It's a lonely world. I think part of the romanticism about being on the road is you get to meet a lot of - my mom once told me, "You've probably got a woman at every port." Like I'm a pirate. Obviously she doesn't know her son that well.

I used to throw up before I went on stage, every time. Even though it's only 200 people in the audience, and a movie like RoboCop is going to be seen by many, many people, I know I'd be much more nervous doing a play than being on set shooting.

I mean, stand up you're by yourself and it's live and when you're acting, unless you're doing a monologue, you're interacting with somebody else. Even if you're doing a monologue you're saying it to somebody and it's not live so you can do it a few times.

When I started performing I was like, "Holy hell, how am I going to survive this?" I was giving it my all in 15 minutes but now I had to do it for two hours.

If all you've got to do is a couple of lines, dear Jesus, don't let them down. Other people are taking responsibility.

As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.

failure in the theater is more public, more brilliant, more unreal than in any other field.

I've never been able to read for anything, and every time I have, I've never gotten the part. And I don't know why that is. I just can't. Reading or auditioning for something... It's like it's this mental block in my brain, and I just can't do it. But when people ask you to do stuff without making you go through that, it's a much more pleasant experience.

Here I was going to work with Pacino thinking, "I'm not going to get lucky twice. There's no way. This guy is going to hand me my ass." He looks like the kind of guy who's going to hand you your ass. It's Al Pacino.

I think I'm getting there, but it's very hard to perform at my absolute peak when an awful lot of people come just to make their presence known, when the lights go down and all you can hear is people screaming.

It's pretty intense to have someone (the camera) looming there when you are singing a song but it's sort of invigorating too.

It's a sick thing, right: people are afraid of public speaking. I do public speaking, except my public speaking involves the audience only having one type of emotion and one type of reaction. If they have anything other than laughter, it's a failure. That's an absurd thing for a human to try to seek. The main thing to realize is that whatever I say, it's my truth and I believe in it, and if I don't get a laugh off that, then it's not working.

I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.

I think I may drop dead on the stage someday. I hate to think of it. But it's getting tough on me, the travel. The show, I somehow manage to rise up to it, you know. But I have no desire to retire.

When people asked me, "Do you get high to go onstage?" I could never understand the question. I mean, I'd been high since eight that morning.

For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them.

Second violins can play a concerto perfectly if they're in their own home and nobody's there.

Everything about acting is a challenge. I'm self-conscious. You couldn't do anything to cause me to be more self-conscious than to stick a camera in my face and have 60 people standing behind it, waiting for me to perform.