Tamzin Merchant Quotes

I get nervous before everything - dates, filming, award shows. I just don't want to say something stupid. But as soon as I step out on that stage, or as soon as I show up to a date, it all goes away, and I just have a great time with whoever I'm with.

I remember thinking, 'I can't act.' Pretending to be someone else is a terrifying thought. The thing was that, along with other people, I could create a whole world. I felt absolutely right directing.

I've always had this fear in me. What would life be like if I wasn't Number 1 on television? But I've learnt to overcome that fear.

I am so blessed to do what I love to do, but becoming a solo artist terrified me!

If you're afraid to fail, you'll never succeed.

Being a director it's mean - digging deep in yourself as well. I think the deeper I understood the material and the script and the themes and the characters, I felt the more confident I was and the more I could bring to the movie. So I was lucky to have my actors because they were right there with me in the deep end.

The results you produce in life are inversely proportional to the degree to which you are intimidated.

I'm scared of rehearsals, I'm scared of doing all this because I don't feel like I'm an actress.

When you create, it comes from this deep part of you, and your job is you, and so when you don't get heard it can feel bad and frustrating and you have to somehow keep the confidence up.

I'm super confident about creative stuff, and I'm really not confident about human interactions stuff.

An artist's sensitivity to criticism is, at least in part, an effort to keep unimpaired the zest, or confidence, or arrogance, which he needs to make creation possible; or an instinct to climb through his problems in his own way as he should, and must.

I've done quite a few movies, I generally can feel that I'm not right for the role or a general fear if I can pull it off, and him giving that "tag" so to speak gave me the confidence. Like that Miles Davis line, "Don't worry about mistakes, there aren't any." Once you are the part, you're the guy, so you can't not be the guy because you're it.

I am inclined to think from my own experience that the difficulty to eminence lies not in the road, but in the timidity of the traveler.

I'm 48. For a while after 'The Jerk' (movie) I had a feeling of failure. I was a little scared. First people discover you and they love you. You get big and then you fail. And people are glad that you fail. But I've always come back and I've started to trust myself.

Fear goes hand-in-hand with artistic creation, and no amount of success will make the fear go away entirely.

When I recorded my first album, my ego didn't let me believe that what I was gonna say on the mic, anyone would really care about. But then when I found out that they did, I started to take it more seriously.

I do everything I watch, whether it's like a big comic book film that I've done or something very serious and raw.I do have that initial feeling like I'm the worst, this is awful, my work is - I've let everybody down. I definitely have that.

I suppose that there are endeavors in which self-confidence is even more important than it is in writing -- tightrope walking comes immediately to mind -- but it's difficult for me to think of anybody producing much writing if his confidence is completely shot.

It wasn't so much that he minded telling Leslie that he was afraid to go; it was that he minded being afraid. It was as though he had been made with a great piece missing - one of May Belle's puzzles with this huge gap where somebody's eye should have been. Lord, it would be better to be born without an arm than to go through life with no guts.

I had a lot of nerves for a long time about career-oriented things, and I've slowly sort of let myself relax into it a bit. Part of me thinks that's maybe the effect of being on two hit shows. I like to think that maybe it's more: You do the things you do, and you do the best you can, and that's all you can hope for, and don't worry too much if it's not it.

It's easy for me to say, "Oh yeah, that's the self-saboteur move that most artists pull whenever they're afraid."

I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.

You can't shy away from your greatness just because you're afraid you're not great enough

I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

Accept the fact that you're an artist and stop second-guessing yourself. Just do it.