Todd Phillips Quotes

If you're big in Montreal, you're big in Quebec. If you're big in Toronto, you're big in Canada. But if you're big in New York, you're big in the rest of the world.

There's this old Frank Sinatra song: 'If you can make it here, you can make it anywhere'... that song was about New York, but it applies to America. People know that if you make it in America, you can make it anywhere, and that is both in terms of sophistication and customer satisfaction.

If Lincoln freed the slaves and preserved the Union, how come 'Lincolnesque' just means tall?

How come regional pandering only works in one direction, right? You never see a Southern politician trying to win votes in New York State by saying, 'I read books and make a mean vegan meatloaf.'

Germany is a country that has absolutely had to since the Second World War ask itself massive moral questions. And it's reforged its identity based on culture. I mean, the amount of artists living and working in Berlin is unparalleled. It's one of the strongest economies, not only in Europe, but globally, and it's because of its understanding of the importance of culture.

I lived in New York for 10 years, I loved it, I never second-guessed it. There were definitely times when I thought, "I will never leave this place." And I kind of got into that center-of-the-universe mindset.

We can see, from California to New York, from Maine to Florida, Seattle to New Mexico - everywhere there are women's groups. Everywhere there are women who have gotten together to examine global warming, and women who have gotten together to prepare each other for single parenting - there are women who have come together to be supportive to those whose mates are in prison, male or female, partners are in prison. All sorts of gatherings of women. I mean, I'm just celebrating my 80th year on this planet, and I look back 50 years ago and there was nothing like that.

In all aspects of life... we define our reality in terms of metaphors and then proceed to act on the basis of the metaphors. We draw inferences, set goals, make commitments, and execute plans, all on the basis of how we in part structure our experience, consciously and unconsciously, by means of metaphor.

Link is a quiet man to meet- easy and courteous. His music, though, betrays that deep inside he gets very very mean very often. I remember being made very uneasy the first time I heard Rumble , and yet very excited by the guitar sound. And his voice! He sounds like a cross between Jagger and Van Morrison, even sometimes like Robbie Robertson. We met him in New York in 1970 while recording Who's Next.... this later inspired the b-side Wasp Man, a tune we dedicated to Link Wray.

If you're a white kid growing up and you see a Black player and he's got the name of your college or your town across his chest, that means something.

"The New York Times" is reporting correctly that women had accused a presidential candidate of sexual assault. Now that's news on any level. I mean you can't argue that that's not news.

I go and I keep friends with [Abe] Rosenthal at the New York Times and people of that sort, you know. And all - I mean, not all the Jews, but a lot of the Jews are great friends of mine, they swarm around me and are friendly to me because they know that I'm friendly with Israel. But they don't know how I really feel about what they are doing to this country. And I have no power, no way to handle them, but I would stand up if under proper circumstances.

The land gets inside of us; and we must decide one way or another what this means, what we will do about it.

I mean, what do you do in Las Vegas? You gamble - and you go to strip clubs.

I've never felt more American than I did when I moved to England. It becomes a real kind of part of your identity: "Oh, Ben. He's the American guy." I think when you say you're from New York you get a different reception then if you just say, "I'm American." So I'd always kind of make sure I was a New Yorker first.

Tradition does not mean a dead town; it does not mean that the living are dead but that the dead are alive. It means that it still matters what Penn did two hundred years ago or what Franklin did a hundred years ago; I never could feel in New York that it mattered what anybody did an hour ago.

I'm not crazy impressed with New York. I mean, I don't buy into that whole thing: Everyone in New York is all sophisticated, and they're into art and sophisticated things, and everyone in L.A. is just shallow entertainment people. I think people are just shallow across the board.

What does music mean to you? What would you do without music?

I mean, being provincial is a privilege in a way. Also people in New York think everybody interacts because they all take the subway. "Oh, I see all these different people! All these different walks of life on the subway." Well, they're not coming to your dinner party. Certainly, in small-town Nebraska, everyone indeed did mix together.

Art is not some inessential frippery - it is the nation's means of intelligently regarding itself. To cripple or stigmatize the arts is to doom one's nation to a life of incuriosity, dullness, literalness and the worst kind of rank materialism.

I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.

I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.

In New York that probably has more lawyers per square foot than any other state in the union, more women lawyers. I mean, it to me shocking that this can happen in 2008, but fortunately, you had a governor who was sensitive enough to this outrage that he pointed it out to the nation, and is trying to do something about it.

You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.

The world of the arts is by no means always comfortable, but neither is it likely ever to be boring. It is full of surprises, humor, traps for the unwary, and challenges to smugness. It is a world of moods as well as of revelation, of beliefs and fears, of unpleasant truth as well as of delicious fantasy. Perhaps it is arrogant to say that anyone who does not venture into this world is only half-interested in life. I say it, nonetheless.