Philip Roth Quotes

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.

I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.

My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.

I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).

All fiction is a process of imagining: whatever you write, in whatever genre or medium, your task is to make things up convincingly and interestingly and new.

If you get bored with nothing to do, you are not a writer ... We are in the business of reproducing reality from nothing. We are the biggest liars in the world, seeking truth.

That's really the essence of what any fiction writer does. Some of it is research-based, but most of it is a really long-term, imaginative, empathetic effort to see the world the way someone whose experiences remote from yours might see it. Not every writer works that way; some writers make a wonderful career out of writing books that adhere very closely to how they view the world. The further I go with this, the more interested I get in trying to imagine my way into other perspectives that at first seem foreign to me.

The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.

When you write, you want to get rid of the world, don’t you? Of course you do. When you’re writing, you’re creating your own worlds.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.

Novel-writing is a highly skilled and laborious trade. One does not just sit behind a screen jotting down other people's conversation. One has for one's raw material every single thing one has ever seen or heard or felt, and one has to go over that vast, smoldering rubbish-heap of experience, half stifled by fumes and dust, scraping and delving until one finds a few discarded valuables. Then one has to assemble these tarnished and dented fragments, polish them, set them in order, and try to make a coherent and significant arrangement of them.

Writers do not write what they know. They write what they can imagine.

I start writing, pull whatever images happen to occur to me and make up a story, instead of starting with details that are real and I know of and going from there.

Writing is always a process of discovery—I never know the end, or even the events on the next page, until they happen. There’s a constant interplay between the imagining and shaping of the story.

Whether it is done quickly or slowly, however splendid the results, the process of writing fiction is inherently, inevitably, indistinguishable from wasting time.

Writing fiction is an act of imagination and fantasizing, and it's not relating in prose what you've been doing for the last two or three years.

Writing is a mysterious activity.

This afternoon, burn down the house. Tomorrow, pour critical water upon the simmering coals. Time enough to think and cut and rewrite tomorrow. But today-explode-f ly-apart-disint egrate! The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, by reading your story, will catch fire, too?

Sometimes you write and you find yourself almost wondering how it will turn out. I don't think every writer sort of almost admits that at some stage his books can take on their own kind of life it selves and simply lead away into directions that they're not kind of prepared for.

Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.

It's a delicious thing to write. To be no longer yourself but to move in an entire universe of your own creating.

I always have a rough outline, but I'm shocked at how little I actually follow it. Those characters keep doing things that I never expected. I think if I crept up to my keyboard and peeked, they'd be talking about things behind my back. Okay, that's a little paranoid and delusional... but just a little.

Blank paper has always inspired me.