Ezra Pound Quotes

Words, like glasses, obscure everything they do not make clear. Before using a fine word, make a place for it.

Though old the thought and oft exprest, Tis his at last who says it best.

A good author, and one who writes carefully, often discovers that the expression of which he has been in search without being able to discover it, and which he has at last found, is that which was the most simple, the most natural, and which seems as if it ought to have presented itself at once, without effort, to the mind.

The art of writing is not, as many seem to imagine, the art of bringing fine phrases into rhythmical order, but the art of placing before the reader intelligible symbols of the thoughts and feelings in the writer's mind.

If the noun is good and the verb is strong, you almost never need an adjective.

Whatever one wishes to say, there is one noun only by which to express it, one verb only to give it life, one adjective only which will describe it. One must search until one has discovered them, this noun, this verb, this adjective, and never rest content with approximations, never resort to trickery, however happy, or to vulgarism, in order to dodge the difficulty.

[This] is very important to remember when reading or writing or talking or whatever: You are never, ever choosing whether to use symbols. You are choosing which symbols to use.

A language is the appearances of connections therefore language as in writing doesn't express anything: it creates.

Before you use a fancy word, make room for it.

Look for all fancy wordings and get rid of themAvoid all terms and expressions, old or new, that embody affectation.

Whate'er is well conceived is clearly said, And the words to say it flow with ease.

It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.

Any one may mouth out a passage with a theatrical cadence, or get upon stilts to tell his thoughts; but to write or speak with propriety and simplicity is a more difficult task. Thus it is easy to affect a pompous style, to use a word twice as big as the thing you want to express; it is not so easy to pitch upon the very word that exactly fits it.

I try to be specific. One thought at a time. Clear. Articulate. And above all, memorable, if you can be. You'd like to write phrases that people can't forget as soon as they read them.

Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.

Writing and reading and speaking with specificity and skill has never seen more important to me than it does at this moment. It's what's between us and chaos.

Say what you mean. Say what you see. Make a photograph, if you can, for the reader.

What is remembered is not a deed in stone but a metaphor. Meta = above. Pheren = to carry. That which is carried above the literalness of life. A way of thinking that avoids the problems of gravity. The word won't let me down. The single word that can release me from all that unuttered weight.

In general, what is written must be easy to read and easy to speak; which is the same.

To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself...Anybody can have ideas--the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.

A story is a way to say something that can't be said any other way, and it takes every word in the story to say what the meaning is. You tell a story because a statement would be inadequate. When anybody asks what a story is about, the only proper thing is to tell them to read the story. The meaning of fiction is not abstract meaning but experienced meaning.

Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.

[Presently, science undergraduates] do not learn to write clearly and briefly, marshalling their points in due and aesthetically satisfying order, and eliminating inessentials. They are inept at those turns of phrase or happy analogy which throw a flying bridge across a chasm of misunderstanding and make contact between mind and mind.

As to the adjective: when in doubt, strike it out.

Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them.