Ursula K. Le Guin Quotes

If you want to be a writer, I have two pieces of advice. One is to be a reader. I think that's one of the most important parts of learning to write. The other piece of advice is 'Just do it!' Don't think about it, don't agonize, sit down and write.

Writers aren't born, they're made - from practice, reading, and a lot of caffeine.

The only advice anybody can give is, if you wanna be a writer, keep writing. And read all you can, read everything.

I'm a novelist who read a lot as a kid. When you grow up on books and then grow up to write books, famous authors are a lot more meaningful to you than TV and movie stars.

I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.

If you only write when inspired, you may be a fairly decent poet, but you'll never be a novelist.

Perhaps one would be wise when young even to avoid thinking of oneself as a writer - for there's something a little stopped and satisfied, too healthy, in that. Better to think of writing, of what one does as an activity, rather than an identity - to write, I write; we write; to keep the calling a verb rather than a noun; to keep working at the thing, at all hours, in all places, so that your life does not become a pose, a pornography of wishing.

The only difference between a writer and someone who wants to be a writer is discipline.

I think the first thing - if you want to be a writer - the first thing you need to do is write. Which sounds like an obvious piece of advice. But so many people have this feeling they want to be a writer and they love to read but they don't actually write very much. The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing. That's how I write. That's how writing gets done.

I am sure it has been done with less, but you should be prepared to write and throw away a million words of finished material. By finished, I mean completed, done, ready to submit, and written as well as you know how at the time you wrote it. You may be ashamed of it later, but that's another story.

The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.

Writing a book is a tremendous experience. It pays off intellectually. It clarifies your thinking. It builds credibility. It is a living engine of marketing and idea spreading, working every day to deliver your message with authority. You should write one.

Easy reading requires hard writing.

I think writing, my writing, is a species of mediumship. I become the person.

When I am so intensely involved with writing my books I don't like to reread them.

The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have. It's really weird, especially since I spent so much of my life covering people who are famous. It's interesting to actually have it happen to me on some level.

When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.

If I were less lazy, when my play was published, I would go and rewrite everything for the reader. But I don't do that. What people are reading is just me trying to get the actors and directors to do something or think about something.

The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.

I write every day for most of the work day, and I try to write 2,500 words per day... If I don't make it a routine and treat it like a job, I'd never get anything done.

Whatever may be the success of my stories, I shall be resolute in preserving my incognito, having observed that a nom de plume secures all the advantages without the disagreeables of reputation.

Are you a reader? If you aren't a reader, you might as well forget trying to be a writer.

I think one of the reasons I'm so thrilled with writing is because it is an act of reading for me at the same time, which is why my revisions are so sustained.