Danny Brown Quotes

I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.

My biggest challenge was to make sure that the songs I did were who I am.

I've struggled with an identity sometimes; I don't know what exactly I am. I love so many types of music, and I don't want to commit to going down one road.

If you read the biographies of people who have written good books, you often see the point where they suddenly come into themselves, and those weeks in the spring of 1997 were when I came into myself as a writer. They feel like some of the best weeks of writing I’ll ever have. The discovery that I could write better about something as trivial as an ordinary family dinner than I could about the exploding prison population of the United States, and the corporatization of American life, and all the other things I’d been trying to do, was a real revelation.

I used to think I was a gay man with this idea of a muse in my head, like a woman that I thought was inspirational or aspirational. But the woman was actually me.

I feel like I've mastered Dave East. For a long time I was trying to figure out who I was and what sound I wanted to come with.

Especially as an artist, the creative freedom we have makes us who we are. We're human beings-we're gonna mess up sometimes. I definitely feel like people should continue being who they are. As long as you're staying true to who you are, that's super important.

You once liked the blissful mobility, but then you wonder, who's the real you? And who's the chap on the screen? You know, I catch myself acting out my life like a goddamn script.

Each time I write, each time the authentic words break through, I am changed. The older order that I was collapses and dies. I lose control. I do not know exactly what words will appear on the page. I follow language. I follow the sound of the words, and I am surprised and transformed by what I record.

After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.

Without a sense of identity, there can be no real struggle.

Each time we try to express ourselves we have to break with ourselves.

Don't worry if people think you're good. Make this your experience. And find out what makes you unique as an artist. You don't get the opportunity to do that as much in the real world.

Making art in America is about saving one's soul.

Even though Wisconsin is the only place I want to be, there was a time when everything felt like it was imploding in my head. It was a whole lot of "me" and it was a little unbearable at times - borderline embarrassing, even. It didn't last long, though, and as soon as I got home everything flooded back. It all boils down to that common denominator of stillness and trying to self-discover - I guess it just feels good when I'm there.

I learned long ago that being Lewis Carroll was infinitely more exciting than being Alice.

I spent thirty-three years in another man's shadow. I went everywhere he went, I helped him with everything he did. I was in a sense a part of him. When you live like that for a long time, you gradually lose track of what it is you yourself really want out of life

I saw that my best work was my most personal work, which is odd, because my fiction is very far afield and has nothing to do with my life.

We discover that we do not know our role; we look for a mirror; we want to remove our make-up and take off what is false and real. But somewhere a piece of disguise that we forgot still sticks to us. A trace of exaggeration remains in our eyebrows; we do not notice that the corners of our mouth are bent. And so we walk around, a mockery and a mere half: neither having achieved being nor actors.

I knew that when it came time for me to finally make my own album, it wasnt going to be about being a jock. It had to be more personal and intimate.

I don't know how to choose work that illuminates what my life is about. I don't know what my life is about and don't examine it. My life will define itself as I live it. The movies will define themselves as I make them. As long as the theme is something I care about at the moment, it's enough for me to start work. Maybe work itself is what my life is about.

I was in New York, miserable because I was working supper clubs but I wasn't expressing myself. I was really unhappy with my life. I saw Max Roach again and he told me I didn't have to do things like that. He made me an honest woman on the stage. I have been performing in that tradition since. I feel that I'm a serious performer now whereas then I wanted to be but I didn't know how.

In a lifestyle where there are no boundaries, it becomes a challenge to find one's true self. If everything comes easily, there is no way to establish worth. And if nothing has real value, then there is no way to gauge satisfaction or accomplishment or contentment.

All you can do as an artist is do what you think is an extension of you. You put down on paper ... who you are. That's what being an artist is all about. And when it gets done, you don't look back at it and say, Oh, I could have done that better.

I am the same artist with the same nagging questions I had in my early 20's. What's real and what isn't? How do we tell what's real in our lives? How do we see things as they are? What is my role in life? If the Signature hadn't forced the issue by devoting its season to my plays, I could at least believe I had changed. Really, they're all the same! What is SIX DEGREES OF SEPARATION but THE HOUSE OF BLUE LEAVES with money?